The critics just massacred the House of D when it was released in the cinemas earlier this year but I really think they were being far too hard on the film. For a first feature, it's quite accomplished, and it marks the writing and directing debut of actor, David Duchovny. House of D is a coming of age film that viewers will either find touching or cloying, I found it to be a bit of both, but I also think there's a lot to recommend it.
Of course, there's Robin Williams, who is miscast as a retarded janitor, but if viewers are willing to overlook this, they might find much to like in this innocent and quite tenderhearted look at growing up in New York in the 1970's.
Tom Warshaw (David Duchovny) is an American artist living in Paris who decides to tell his French wife the story of his checkered and audacious past, which involves his encounter with the House of D, an old Women's House of Detention in Greenwich Village. On the cusp of 13, the young Tommy (Anton Yelchin) strikes up an acquaintance with one of its inmates, Lady (Erykah Badu), who shouts down advice to him from her solitary confinement in the massive, now demolished Romanesque Revival landmark.
Tommy needs all the advice he can get. His father died a year earlier, leaving Katherine, his mother (a fabulous Téa Leoni) despondent enough that he regularly checks her sleeping pill supply to make sure she's not overdoing it. She also smokes too much, and is having a hard time getting over the death of her husband. She sometimes behaves inappropriately or thoughtlessly around Tommy - such as using the bathroom when he's taking a shower.
His best pal Pappass (Robin Williams) is a middle-aged, mildly retarded man who works as a janitor at Tommy's parochial school, and with whom Tommy delivers meat for a local butcher. But Tommy is getting older and is gradually drifting away from his protective mother and his innocent best friend.
When he falls for Melissa, (Zelda Williams), a girl in his class, he is torn between being the man of the house in his mother's crumbling life and living out his own descent to adulthood. It is through his street corner conversations with Lady, who gives him the no-nonsense encouragement to finally realize his dreams. Lady yells advice out the window of her cell, seeing the boy only through the reflection in a piece of broken glass.
House of D is very sentimental but it's also good-natured, sweet and innocent, and there's no doubt that Duchovny has an earnest love for the time period and the material. Much of what takes place in House of D is a bit of stretch, to say the least, but it's clear that Duchovny wants his film to be seen as a rite of passage fable about how boys must discover what it means to be a man and what it takes to become one. Duchovny is mostly on the right track with showing how fragile the day-to-day existence is for Tommy and his mother.
The real reason to see the film is Anton Yelchin. Anton is an absolute revelation and he is able to genuinely articulate the inner thoughts of an adolescent without making it seem as if he's just reciting the lines from a script. I'm not sure whether, Robin Williams was the right choice to portray the mentally challenged Pappass. However, he does avoid making Pappass into a joke or a divine fool dispensing unexpected wisdom. He's trying to navigate his own life and struggling as hard as Tommy. They are natural allies, which makes their conflict all the more poignant.
Tea Leoni and Erykah Badu are both strong in their supporting roles. Leoni is exemplary in showing the vulnerable and emotionally frail Katherine, and also has some great comedic scenes as the prying mother that many of us could probably relate to. As Leoni's character slips away, Tommy turns to Badu's Lady, and her performance is strong and also quite vulnerable; she's one of the most memorable characters in the film.
House of D is a film that takes a steadfastly gentle look at some of life's harshest moments as seen through the eyes of a thirteen-year-old boy. It's a well-acted and sensitive little movie that is pitched to an audience willing to remember the pain and confusion of first trying to make sense of the adult world. Mike Leonard October 05.