24 Hour Party People
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Manchester 1976. Il presentatore televisivo Tony Wilson è a un concerto dei Sex Pistols. Ispirato da questo momento cruciale nella storia della musica, decide insieme ai suoi amici, di fondare un'etichetta discografica, la Factory Records.
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Top Customer Reviews
Inevitably, the film struggles to contain its vast subject matter and was apparently edited down from 3 hours. In the end, Michael Winterbottom has made a film which reflects the myth and the truth of Factory in equal measures. The film leaps wildly from hyper-realism (The Hacienda interior is re-created down to the last brick, even inviting back the original punters to re-create the atmosphere for one last time) to pure fantasy (Happy Mondays trip to Barbados is re-created as a scene from Robinson Crusoe).
The film features so many enigmatic characters, and several who deserve a bio-pic of their own. Shaun Ryder and the late Rob Gretton, Ian Curtis and Martin Hannett.
To narrow the scope, the film is “seen” through the eyes of Tony Wilson, although on the DVD commentary, Wilson points out that he has fought tooth and nail to have some scenes left out which he insists are entirely untrue. Bizarrely, Wilson still holds down a job as a respected newsreader on Granada TV despite the film depicting him romping with prostitutes and taking copious amounts of drugs. The film itself makes some playful contrasts between Wilson’s life as TV presenter, and that as director of a chaotic, anarchic record label and nightclub. We cut from Wilson living it up on the tour bus with Happy Mondays, to Wilson conducting a banal interview with a pensioner for local TV news.
Like Factory, the film is messy, inconsistent and bloody-minded. But like Factory, it looks great and the music is good. Coogan is great, if a little Partridge-esque as Wilson.Read more ›
Wanting to put Manchester on the musical map seemed to be Tony Wilson's main motivation right from the off, and shortly after the formation of factory records, signing various bands. Some of them aren't so well recognised today, such as 'A Certain Ratio', but some of them, such as 'Joy Division', went on to become one of the most influential bands of the post-punk era. A lot of this was down to the eccentric producer Martin Hannett, who worked in such a fearlessly authentic way that Joy Division's debut 'Unknown Pleasures', went on to become one of the most unique, distinctive and authentic records of all time. Which is just as well considering how difficult to please Hannett was - even going so far as to make Joy Division drummer Stephen Morris do his drumming on the roof.
The premise of Factory Records was simple: it was all about art, rather than profits. In this sense, Tony Wilson was a spectacularly inept businessman, but his commitment to music, nurturing new talent, and focusing on artistic output was unwavering.
After the tragic suicide of Ian Curtis in 1980, Wilson's next venture was 'The Hacienda', an ultra-modern nightclub in which Wilson got a whole host of musical acts from all corner of the music business to perform. These included The Smiths, Happy Mondays and various others.Read more ›
Film charts the rise and fall of Tony Wilson's (Coogan) impact on the Manchester music scene from 1976-1992. Musically it encompasses the Punk Rock explosion, Post Punk, Madchester, the birth of Factory Records and The Haçienda Nightclub. Main bands featured as narrative threads are Joy Division and The Happy Mondays.
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There's nothing like it, in music based movies that is, 24 Hour Party People is a collage of styles and genres, part biography, part comedy drama, part rock mockumentary, part tragedy and part fantasy, with the latter a little galling to those in the know since the film often plays fast and loose with the truth. But this almost chaotic approach by Winterbottom is perfect for this most important and influential era of music. There is a bustling energy throughout the picture, a chic coolness coming out of the hand held digital camera, the music is excellence unbound, while it more often than not is great fun, even as dark passages flit in and out-making thumping emotional beats-there's a causticism involved. Wilson was a colourful impresario, and well worth the time afforded him here. The performances vary from good to great, with Coogan at the centre a pure delight as he not only acts out the part of Wilson, but also narrates and breaks the fourth wall to ensure viewers are in the know about the players and situations. While it's fun to play spot the cameo star as well.
Martin Hannett: Too Big For Death.Read more ›
Most Recent Customer Reviews
I loved this, my only problem is not enough New Order. Some people have a problem with Steve Coogan, I thought he was perfect. Read morePublished 1 month ago by Mr. E. A. Dobson
This is an OK film, particularly if you like the music from the 'Madchester' scene of the late 1980s, but I have to say that I did not find Steve Coogan's performance particularly... Read morePublished 2 months ago by The Pulsar