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The second narrative follows Phillips' sessions with a middle-aged man who comes to him after badgering from his (ex-) girlfriend, who said she wanted to help "his next ex". He had no regard whatever for the things that mattered most to him, and chased women relentlessly so that he could run away from them. In Phillips' words, "the woman as object of desire had been replaced by flight from woman as an object of desire". Erudite, allusive and elusive, only when Phillips suggests, tellingly, that he is avoiding risk-taking by busying himself with choices, does he do what comes naturally, and take flight. It is escapism itself which is the most hypnotic, wielding the infinite freedom of potential, and which proves the hardest to escape from.
The final piece is a paper on Emily Dickinson, which, though brief, illuminatingly contrasts two poems written 15 years apart in which she dwelt on her voluntary confinement, and escape. There is certainly no escaping Phillips' dazzling talent. Drawing on mythology, psychotherapy theory, poetry and clinical experience, the author of On Kissing, Tickling and Being Bored and Darwin's Worms continues to imaginatively work the borders of psychotherapy and literature, and to write some of the most richly stimulating and creative prose around. Perhaps his most accessible work to date, this is escapist literature at its best. --David Vincent --This text refers to an out of print or unavailable edition of this title.
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The book's themes work best in the context of Houdini. The other examples provide context, but not nearly as much insight.
I was particularly interested to learn that the story I had heard about Houdini's death was wrong. He was challenged by a young man to take a punch in the abdomen, even though Houdini had never claimed to be invulnerable in this way. Houdini died a few days later of an internal infection probably caused by the blow. Apparently, he wanted to maintain the illusion of always being able to escape from danger . . . even when he knew of no way to do so.
Part way through the book, I began to consider my own avoidance behavior and got some good insights. Certainly, there are some things that are so attractive, this is best not to be tempted. Taking that step to remove temptation is certainly a sign of the degree of the temptation.
In general, I found the book interesting, but found that it had some serious drawbacks in its structure and focus. For example, there is discussion about prostitution, pornography, and avoiding sexual relations that is loosely tied back to Houdini's skills in escape illusions. I found the connections tenuous, not well made, sometimes puzzling, and of little interest. The discussions with patients are probably easy for a psychotherapist to follow, but I found them not very clear. I suspect that I would have enjoyed the book more without the patient sections. At the same time, the mythological references are mainly of value to someone who doesn't know the stories. For those who do, those sections become long and somewhat tedious.
Basically, the book needed to be edited down further and to connect the dots more.
At the same time, the section on Emily Dickinson could easily have been expanded.
If you know a lot of about psychological theories, this book will probably not add a lot for you. If you don't try very hard to avoid things, this book will probably not be very interesting.
For those who strenuously avoid and would like to know more, this is a pretty low-key introduction into seeing the possible meaning behind patterns of avoidance through self-questioning. What are the implications of your avoidance? Can you embrace what you care about in healthy ways? How well is your seeking out or avoiding behavior serving you and others?
Find ways to serve others, give love, and enjoy life!...
The book's themes work best in the context of Houdini. The other examples provide context, but not nearly as much insight. I was particularly interested to learn that the story I had heard about Houdini's death was wrong.
In general, I found the book interesting, but also felt that it had some serious drawbacks in its structure and focus. For example, there is discussion about prostitution, pornography, and avoiding sexual relations that is loosely tied back to Houdini's skills in escape illusions. I found the connections tenuous, not well made, sometimes puzzling, and of little interest.
The discussions with patients are probably easy for a psychotherapist to follow, but I found them not very clear. I suspect that I would have enjoyed the book more without the patient sections.
At the same time, the mythological references are mainly of value to someone who doesn't know the stories. For those who do, those sections become long and somewhat tedious.
Basically, the book needed to be edited down further and to connect the dots more. At the same time, the section on Emily Dickinson could easily have been expanded.
If you know a lot of about psychological theories, this book will probably not add a lot for you. If you don't try very hard to avoid things, this book will probably not be very interesting. For those who strenuously avoid and would like to know more, this is a pretty low-key introduction into seeing the possible meaning behind patterns of avoidance through self-questioning.
What are the implications of your avoidance? Can you embrace what you care about in healthy ways? How well is your seeking out or avoiding behavior serving you and others?
Find ways to serve others, give love, and enjoy life!
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