Beautifully written, intelligent, reflective, understated and elegiac in tone, with a pervading sadness that runs throughout the novel and her characters' lives - perhaps something that could be said of much of Brookner's fiction? - this is a charming and thoughtful novel focused on Edith Hope, a successful middle-aged novelist of romantic fiction (though a realist about the world of the living, she never denies her heroines the mythical joys of true romantic journeys and endings), who comes to stay at the genteel, select Hotel du Lac, an old world establishment in Switzerland, to reflect on recent events in her life.
Through the course of the novella (it's only 184 pages), Edith comes to engage with the hotel's other residents, all beautifully drawn. There's Monica, with her tiny dog that she passes her hotel food to (she has an eating disorder, and focuses mainly on cakes, coffee and cigarettes to keep her going), while vaguely thinking about her marriage that has come to an impasse; the relentlessly self-obsessed, rich, always-on-display and well-dressed, elegant Mrs Pusey and her shadow daughter, Jennifer (acting as truncated Greek Chorus to Mrs Pusey's endless exclamations about her own life and opinions); stalwart, sad, alone Mme de Bonneuil, dumped by her only son to live for part of each year at the hotel; and Mr Neville, charming, devilish, always insightful, but without sentiment or love, who intrigues Edith and triggers her considering fundamental changes in her life. He does this by questioning her mode of living and her way of thinking about love and relationships and self (he's an advocate of self-interested living only), and proposing marriage (but not love).
Faced with a pattern and routine in her life that Edith finds both comforting and sad, including her affair with a married man, Mr Simmons, and for which she is typically pigeon-holed, she is regarded as less than she really is in terms of character and depth. Such conflicts act as catalysts that, combined, conspire to a decision that ultimately leads her to the Hotel du Lac.
The dialogue and characterisation are consistently rich, entertaining and often provoke the reader into reflecting on his or her own approach to love and a life worth living, and what this says about ourselves. At the end of the novella, Edith's decision and next step, reflects her full awareness of her life to date, and the options available to her, including that of taking a radically different, perhaps more positive (self-interested) approach to her life, her decision is very much her own and true to who she is.
A moving meditation on personal choices, love and life-changing decisions and ways of living. Highly recommended.