Fans of Evan Dando's outstanding, country-tinged rock haven't had much to go on recently. Lemonheads last released an album of original songs six years ago, so no-one's in the mood to be fussy. Even so, we might have expected more than some ragged, unfinished demos of tracks from 1993's Come On Feel album, recorded in a hotel room. Dando warbles into a Walkman, accompanied by an acoustic guitar, passing traffic, neighbouring voices and so much noise it's impossible to imagine the source tape has been cleaned up.
Even for Lemonheads completists, listening to this can't be any more rewarding than trudging through the acoustic demos packaged into the expanded release of It's A Shame About Ray. Perhaps there was a case for re-releasing Come On Feel - an album of strong songs originally mastered a little thin - and including some of the hotel tracks for good measure. But asking people to pay outright for an excavated tape of muddy, half-finished demos is a little insulting. Beneath the tape hiss is the sound of barrels being scraped.
Whether or not Dando ever makes another proper record, his reputation as a writer of energetic, brilliantly melodic pop is secure. Releasing sonically-challenged bootlegs adds nothing to it.