If you're expecting something like Play, or even 18, you'll be surprised -- and maybe disappointed -- at this. Here, I think, Moby has decided that his albums should have more of his own Voice. The trouble is, he doesn't have much of a voice -- something that he has recognised in the past and we have been treated to some of the most powerful and beautiful voices in the session-singing world, stirred in with Moby's originality and production genius. Here, in Hotel, is Moby's voice combined with one female singer, whose voice has been chosen presumably because it is as gentle as his (though much more versatile). I started off not liking Hotel, then liked it more, and now have gone full circle -- deciding ultimately that it's a bit easy-listeningish and ... well, I hate to say it, being a great Moby fan, but boring. It's OK: it's smooth, and far more 'even' than his other albums, which would move from genre to genre far more waywardly (sometimes unsuccessfully). It's just that it doesn't make the heart thump like the best of his work on previous albums ... and I now realise that what made most of those brilliant tracks work so brilliantly was the extraordinary power of the voices Moby employed and the way that he used them. Hotel is worth buying to see the way that Moby is going -- it's quite pleasant and inoffensive. But don't expect anything as good as 'Play'.