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  • Horror of Dracula [DVD] [1958] [Region 1] [US Import] [NTSC]
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Horror of Dracula [DVD] [1958] [Region 1] [US Import] [NTSC]

64 customer reviews

Price: £3.19
Only 9 left in stock.
Dispatched from and sold by supermart_usa.
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Region 1 encoding. (requires a North American or multi-region DVD player and NTSC compatible TV. More about DVD formats)
Note: you may purchase only one copy of this product. New Region 1 DVDs are dispatched from the USA or Canada and you may be required to pay import duties and taxes on them (click here for details) Please expect a delivery time of 5-7 days.
£3.19 Only 9 left in stock. Dispatched from and sold by supermart_usa.

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Horror of Dracula [DVD] [1958] [Region 1] [US Import] [NTSC] + Taste The Blood Of Dracula [DVD] [1970] + Dracula Has Risen From The Grave [DVD] [1968]
Price For All Three: £36.38

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Product details

  • Format: NTSC
  • Language: English
  • Subtitles: English, Spanish, French, Portuguese
  • Region: Region 1 (US and Canada DVD formats.)
  • Aspect Ratio: 16:9 - 1.85:1
  • Number of discs: 1
  • Classification: Unrated (US MPAA rating. See details.)
  • Studio: Warner Home Video
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (64 customer reviews)
  • ASIN: B00006G8K0
  • Amazon Bestsellers Rank: 45,625 in DVD & Blu-ray (See Top 100 in DVD & Blu-ray)

Customer Reviews

4.5 out of 5 stars

Most Helpful Customer Reviews

76 of 78 people found the following review helpful By Matthew Mercy on 23 Dec. 2006
Format: DVD Verified Purchase
Considered by many to be the greatest Dracula movie yet made, Hammer's 1958 take on Bram Stoker's novel is a classic piece of cinema that in my view ranks as the most important British horror film of all. If the famous company hadn't made any more Dracula movies after this one, these days it would be thought of as equalling David Lean's Great Expectations and Oliver Twist in the rankings of British cinema's great literary adaptations. Instead, it is simply regarded as the first film in a fondly-remembered, though essentially campy series of chillers that took a dip in quality with every subsequent episode, ending with some real dreck in the early 1970s. However, Terence Fisher's movie, only his second gothic horror, did justice to the story in a way that no other filmmaker has been able to repeat. It's scary, sexy, action-packed, laced with atmosphere, and shows no signs at all of the low budget it was made under; the photography is gorgeous, the sets even better, and the music just perfect.
Though it sometimes receives criticism for the ways in which it differs from Stoker’s plot, Jimmy Sangster’s screenplay is actually a smartly-worked distillation of the original story which reduces both the scale and the number of key characters, re-shaping the tale primarily as a duel between Count Dracula and his nemesis Dr. Van Helsing. The ending, a violent piece of hand-to-hand combat between the two, was unlike anything else seen in British cinema up to that point, with special effects that still impress today; but what really makes the film work are the performances of Christopher Lee and Peter Cushing in the lead roles.
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36 of 37 people found the following review helpful By Nick Brown on 15 July 2005
Format: DVD
Often regarded as the highlight of Hammer horror's oeuvre, The Horror of Dracula stands up today as a fresh and inventive take on what is maybe the best story ever written. Hammer is a studio that has had many a fine hour, and although this is one indeed; I think that there are several other films from their ranks that just top it. Just, being the operative word as this is certainly up there with the best of them. As you might expect, the story follows that of Bram Stoker's original novel; with a young man travelling to Dracula's castle, and not returning. This attracts the attentions of Professor Abraham Van Helsing; an authority in the field of vampirism who then sets out to slay the malevolent fiend that is the source of all the foul play in the movie; Dracula himself.
Although this is based on the classic story, Hammer very much makes it their own. Of course, the campy horror styling that that the studio has become famous for features strongly in the movie and serves in giving it that classic Hammer feel. Furthermore, this movie features both of Hammer's greatest stars; Christopher Lee and Peter Cushing. Christopher Lee may be no Bela Lugosi, but if there was anyone other than Bela Lugosi that I would want to play Dracula; Christopher Lee is that man. He isn't actually in it that much, but the moments when he is are the best in the movie. He has an incredible amount of screen presence, and all of that is transferred into the character of Dracula. In a similar way, Peter Cushing plays Van Helsing. Like Lee, Cushing has buckets of screen presence, but it's all in a very different style. While Lee is a defined evil, Cushing is more subdued, which allows him to adequately play the hero as well as well as he plays the villain.
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32 of 33 people found the following review helpful By S J Buck TOP 500 REVIEWER on 14 Feb. 2006
Format: DVD
This is the greatest Hammer film ever made. Starring the two mainstays of British Horror Christopher Lee and Peter Cushing.

Terence Fisher (the best Hammer director) directs with style and James Bernard produced a score that would be used in variations by many Hammer films over the years. For any musicians out there the chord Bernard uses to signal Dracula's presence is an augmented chord...

Christopher Lee is magnificent as Count Dracula. Bela Lugosi may have starred in the role first but Lee is vastly superior in every respect: He has more screen presence (helped by being 6' 5"), is better looking and most crucially unlike Lugosi he can act.

As Van Helsing Peter Cushing is mesmerising. Whether he is carrying out a blood transfusion or dictating into an early phonograph recorder, the script is delivered with absolute conviction. I always end up believing vampires exist after watching this film!

The ending to this film is perhaps the single greatest moment in the entire history of Hammer films. While the special effects look dated now the realisation of the ending is just a great piece of film making.
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5 of 5 people found the following review helpful By Andrew Banks on 1 Feb. 2011
Format: DVD Verified Purchase
In 1951 the British Board of Film Censors introduced the X certificate, which restricted admission to the designated films to people over the age of sixteen. Most British film makers tended to shun X certificate material, but Hammer Films bucked this trend when they achieved considerable box office success with two X certificate films, namely 'The Quatermass Experiment' (1955) and 'The Curse of Frankenstein' (1957). After Hammer's success with their adaptation of the Mary Shelley novel, in 1958 they decided to tackle the other great nineteenth century horror classic, Bram Stoker's 'Dracula'. The X certificate classification allowed the director Terence Fisher the freedom to film scenes in which stakes are plunged into the hearts of vampires, and the vampires themselves bare their fangs whilst looming over their victims' necks.

Jimmy Sangster's screenplay is true to the spirit, if not the letter of Bram Stoker's novel. In the book, Jonathan Harker is an estate agent who visits Castle Dracula to sell a London property to the count. It takes Harker quite a while in the novel to discover the truth about his host. Since the movie has a relatively short running time of 81 minutes, in order to speed up the development of the plot Harker is a vampire hunter in the film. He takes a job as a librarian at Castle Dracula in order to hunt down and kill the count. Other changes to the book are less easy to explain. In the novel, Lucy is engaged to Arthur Holmwood, but in this film version Lucy is Arthur's sister.

The music score composed by James Bernard and the cinematography of Jack Asher help to create the film's suspense and underscore the moments of terror. Of particular note is Dracula's first appearance in dark shadow at the top of a flight of stairs.
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