11 of 11 people found the following review helpful:
4.0 out of 5 stars
A very different Saylor novel, 3 Jun 2001
By A Customer
In "Honour the Dead" Saylor moves from ancient Rome to Austin, Texas: quite a shift in scene. The story itself is based on true events, although novelized successfully by Saylor. He seems rather less comfortable in this setting than in ancient Rome, but the series of murders that take place are gripping and interesting. His characterizations vary, with the main narrator being rather disappointingly like a cliché of the American southwest. A good read if your mind is open to a very different Saylor book, less even in tone, but beguiling nonetheless.
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3 of 3 people found the following review helpful:
5.0 out of 5 stars
Fan of Steven Saylor, 22 Jun 2007
I picked this up with interest, having read all the Gordianus books I can lay my hands on. I loved it! Completely different to the Sub Rosa series but still has Saylor's talent for creating another time and place and making it real. I have no priory knowledge of early Austin Texas but it came to life for me. I don't feel it matters if the historic facts are correct but is it believable - yes!
I found it a good mystery, which kept me guessing for quite awhile. Half the fun of mystery/detective novels is trying to work out "whodunit" and seeing if you're right at the end. This book fulfilled these criteria.
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5.0 out of 5 stars
Gory, gory, hallelujah!, 13 Nov 2011
This review is from: Honour the Dead (Paperback)
This story is a wonderfully written fictionalised account of the crimes committed against, mainly, black servant women in the recent post-civil war era in Austin, Texas and, as such, represents something of a departure for its author. Saylor is rightly lauded for his Sub Rosa series featuring first century B.C.E sleuth Giordianus the finder in novels such as Roman Blood. However, this book is also about crimes, and particularly horrible ones at that, and their solutions in the context of a society in which slavery, although technically abolished, is still, effectively, part of the `mind-set' of its members, both black and white.
The story of the crimes is skilfully interspersed, by Saylor, with that of the renowned short story writer, O. Henry, the nom-de-plume of William Sydney Porter, who lived in Austin at the same time that the murders took place, and also features other prominent contemporaries, such as Elizabeth Ney, the celebrated sculptor of German origin, who sculpted the busts of several Texan notables of the time. But the real strength of the story is the way in which it reveals the ingrained attitudes of the controlling white population towards their black and largely servile `fellow' citizens. Moreover, the story illustrates how such attitudes blinded the law enforcement officers of the time to the possibility that the crimes could have been committed by those other than of black African racial origin.
As well as the crimes at the book's core the story, which is told partly in flash-back, is also about first love and the coming of age of a young man grown to middle age as he reflects on his youth and the choices he made when young and inexperienced.
The narrative pace is quite slow and suited to the gradual unfolding of the gruesome events that gripped the city at the time and one which is entirely in keeping with a seemingly valid evocation of the pace with which life was then lived. Nevertheless, the deftly drawn, engaging characters, Saylor's prose and adroit hand at authentic sounding dialogue ensure the reader's rapt attention from the first word to the last.
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