If you don't see my location on here yet, believe it or not, I'm from the US, out of all places, reviewing this album. Kano is literally, a U.K. continuation of Jay Z, except he is much better. "I love money, don't get me wrong, but its more what the songs like ." - Has jay Z ever said that? Don't think so. But everything else on this album has Jay Z's trademark all over it, from the way Kano does the chorouses, to the way he suddendly slows down in his verses, to the way where he acts so cocky to the point where he really just is the s**t.
Whereas Jay Z has been in mainstream for a while, this guy is just coming up from the UK underground scene, supposedly, yet he spits fire better than many mainstream rappers in the US who have been around a long time - "I got punchlines / and I got kick lines / And I aint commericial but I got hit lines." While I'm not saying that the UK rap scene is better overall (sorry people), this and the new Mitchell Brothers album really hit me hard due to how suprisingly unique these albums were, and why some other people in the U.S. just don't "get it."
Production on the other hand, is a pure gem. I've never heard original MIDI production with no sampling this good in my life. Whoever produces for Kano (I know Kano does some himself and the Mitchell brothers do some) really, really knows what they are doing with MIDI and has an excellent background in music theory, especially for "grime" hip hop beats.
Nite Nite (mitchell brothers beat for this is crazy)
The title track
P's & Q's
Signs in life (this track hits hard as hell and Kano rips it for 6 minutes)