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Holy Fools Paperback – 1 Jan 2004

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Product details

  • Paperback: 432 pages
  • Publisher: Black Swan; New Ed edition (1 Jan. 2004)
  • Language: English
  • ISBN-10: 0552770019
  • ISBN-13: 978-0552770019
  • Product Dimensions: 12.7 x 2.5 x 19.8 cm
  • Average Customer Review: 3.4 out of 5 stars  See all reviews (49 customer reviews)
  • Amazon Bestsellers Rank: 266,365 in Books (See Top 100 in Books)

More About the Author

Joanne Harris is an Anglo-French author, whose books include fourteen novels, two cookbooks and many short stories. Her work is extremely diverse, covering aspects of magic realism, suspense, historical fiction, mythology and fantasy. She has also written a DR WHO novella for the BBC, has scripted guest episodes for the game ZOMBIES, RUN!, and is currently engaged in a number of musical theatre projects as well as developing an original drama for television.
In 2000, her 1999 novel CHOCOLAT was adapted to the screen, starring Juliette Binoche and Johnny Depp. She is an honorary Fellow of St Catharine's College, Cambridge, and in 2013 was awarded an MBE by the Queen.
Her hobbies are listed in Who's Who as 'mooching, lounging, strutting, strumming, priest-baiting and quiet subversion'. She also spends too much time on Twitter; plays flute and bass guitar in a band first formed when she was 16; and works from a shed in her garden at her home in Yorkshire.


Photo © Kyte photography

Product Description

Amazon Review

Holy Fools is Joanne Harris's most enjoyable novel yet, a beautifully detailed and sharply observed piece that emotionally moves the reader unlike anything she has tackled before. The immense success of Chocolat and Coastliners has made Harris one of the most cherished authors at work today, and each new book is something of an event.

Holy Fools is set in 17th century France, and the central character is Juliette, a former actress and rope dancer who has given up her travelling life to become a teaching nun at a remote abbey. Juliette has settled with her young daughter into an existence very different from that she knew, and she finds comfort from the advice of the wise and friendly abbess.

Harris brilliantly delineates both phases of her heroine's life: the colourful earlier era and the new demands of the semi-cloistered life. Things change radically when the abbess dies and her place is taken by an 11-year-old girl whose appetite for reform quickly destroys much that Juliet has come to love in her new life. What makes the book so refreshingly original is not just the unusual structure (the heroine's dual life alone is handled with radiant detail), but the surprising new trajectory the narrative takes after the death of the abbess, as everything Juliette was used to begins to go wrong.

We become involved in every minor crisis, however much we question that the religious life is the answer to her problems. Juliette is a brilliantly drawn character, and the plotting of this ambitious novel is both thoughtful and invigorating, while the basic theme--the ploys we all use to distract ourselves from the painful realities of existence--is handled with subtlety. --Barry Forshaw --This text refers to an out of print or unavailable edition of this title.

Review

"Truly sensational... This is a wonderful novel. It draws you in from the very first page" (Sunday Express)

"A weird and hugely enjoyable blend of Aldous Huxley's The Devils of Loudon and Angela Carter's Nights at the Circus" (New Statesman)

"With this bold, inventive book, Harris confirms her position as one of Britain's most popular novelists... Fans will be delighted by the way this novel complements her earlier works. At the same time, the author's experiments with structure and voice ensure this story is fresh and compelling" (Daily Mail)

"Hugely enjoyable... Both consoling and wise" (Amanda Craig New Statesman)

"With this bold, inventive book, Harris confirms her position as one of Britain's most popular novellists... Fresh and compelling" (Daily Mail)

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Customer Reviews

3.4 out of 5 stars

Most Helpful Customer Reviews

38 of 38 people found the following review helpful By A Customer on 28 May 2003
Format: Hardcover
Once again Joanne Harris has written a superb novel, in my opinion it’s the best one yet. She takes you to a small Abbey in a French village where life is comfortable, but something bad is in the air. King Henry is dead and a new Reform is on the way especially with the Church. Old wounds are opened and everyone’s dedication and belief questioned. The story is set over a six-week period where you feel you have read events for the whole day from morning vigils prayers to evening chapter prayers. The end of each day leaves you wanting more. (I couldn’t put this book down and was actually glad when my train was delayed in the mornings). The character Juliette is strong and resourceful, showing that education back then was as uninviting as the devil himself. The life Juliette thinks she is free from finds her and whether it claims her or not you’ll find out when you read it. The other characters are fantastically depicted and life at a nunnery comes across as amusing, difficult and lonely. I loved the detail and felt like I was at the Abbey myself watching events unfold, truths and lies told and emotions left unchecked. There is nothing that I disliked about the book and I recommend it to anyone who loves magic, mystery and suspense.
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7 of 7 people found the following review helpful By maria1971 on 5 Oct. 2004
Format: Paperback
I've been a fan of Joanne Harris since reading Chocolat, which is one of my favourite books of all time. I've read all her work and find her style of writing absolutely delicious.

In this book, she tells the story of a woman who tries to break away from her past by joining in a monastery in rural France, though her philosophy is much more gypsy than Christian.

This book is darker and more dramatic than her previous work, but once again, the characters are both compelling and well-drawn, and the plot is unpredictable and captivating.

Short chapters and a flowing storyline make it very easy to read - in fact, I didn't like having to take a break from it and ended up staying up very late one night to finish it.

All in all it's a good book, but it's not quite Chocolat.
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4 of 4 people found the following review helpful By Deborah on 15 Feb. 2009
Format: Paperback
I'm glad I didn't read the reviews of this book until I had finished it, because there is such a variety of opinion that I might have lost sight of my own!

On the question of historical accuracy, I agree that it's very important, and a reference to pictures of the young king with the halo of sun behind him did make me do a double-take. But apart from that I couldn't find that Harris had mistaken her kings - references are made to his Medici mother and her removal of Sully, and of his marriage at around the right time, and the whole of the book takes place before Richlieu had entered politics. I can't comment further as that's the extent of my knowledge of French history of this time, but I thought Harris's evocation of time, place and atmosphere was superb.

As to the story itself - Yes, the nuns are a sorry lot with their tics and coughs - but I thought there was nothing of the theatrical freak show about them until the actor LeMerle started to work on them. Then, what were midly irritating mannerisms were exaggerated and intensified to serve his own purpose. I thought the development of Sister Antoine in particular was excellent, as was the extraordinary battle of wills between LeMerle and the child-Abbess Isabelle, so immature and at the same time so frighteningly strong. The fact that each of the nuns was scarred in their own way seemed natural - only such women would end up in an Abbey that had deteriorated so much - materially and religiously - and that had almost fallen off the Church's radar, so that it was more a shelter for the damaged than a House of God. LeMerle had to believe that they were weak enough and damaged enough for him to be able to do as he wanted with them.
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2 of 2 people found the following review helpful By M. J. Saxton VINE VOICE on 31 Mar. 2010
Format: Paperback
I was sorry I left it so long to read this because it is such an enjoyable novel and I should have treated myself to it before.

Juliette is a wonderful character to read: multi-faceted as L'Ailée and Soeur Auguste. The relationship with her daughter Fleur is full of love and care; the scenes of their days together really touching, and you can appreciate the depth of despair when the child is removed.

Juliette inspires affection in the reader because she is a perceivably good person with believable flaws. She is great as the flying heroine of the travelling players and sympathetic as the catalyst in the convent. I could use every available superlative for this character.

The plot is reminiscent of "The Devils of Loudun", to which it surely owes a debt, but Harris's twist is perfect for contemporary readers. It is also influenced by "Notre Dame de Paris" and "The Monk".

Harris has the knack of making you feel involved, as near being there as is possible. It's a wonderful talent.

LeMerle is an amalgamation of the troubadour-hero and gothic villain. He's bad, possibly mad, and definitely dangerous to know and thus has a certain glamour. He's a force to be reckoned with as he's an arch-manipulator, as witnessed in some powerful scenes with Mother Isabelle and the sisters. The duel of wits between he and Juliette develops with a plethora of thrusts worthy of the finest opponents.

It's got witchcraft, religion, intrigue, love, lust and weaves them into a damn good story.

Its link to "Coastliners" is even more engaging for Harris fans.
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