Solomon Burke passed away at Schiphol Airport, Amsterdam on Sunday 10th October. He was on his way to an appearance at the City's Paradiso Concert Hall to launch this CD. The album in question, the last to come out during Burke's lifetime teams him up with Dutch band "De DIjk"
You may find this a strange combination. Even this reviewer, who originally hails from cloggy land was not familiar with the group. I have however meanwhile done my homework and found out that these musicians have been going for some 30 years and can rank with the best instrumentalists in the business; Steve Cropper, Duck Dunn, Al Jackson, Booker T, the Memphis Horns, the Meters , they would not have done a better job.
Having been around for a long while the De Dijk amassed an extensive songbook, from which cornucopia the songs on this CD were selected. The translation process must have been meticulous. I gather it involved an original translation followed by reworking of the lyrics by Huub van der Lubbe, De Dijk's singer, and Burke himself. Some of the songs are indeed wordy but Solomon Burke comes up trumps.
Most importantly this is swinging stuff. "De Dijk rocks" as Solomon Burke himself claims. The title song, Hold On Tight, original title "Hou me vast" is followed by Rose Saved From The Street (Mijn van straat geredde roos) and What A Woman (Wat een vrouw) which last song features great boogie piano from Jools Holland. These are fine tunes, both smoochies and dance floor fillers. In fact this is quite a party record! Got To Be With You ( Ik kan het niet alleen) is the best of the up tempo numbers with great New Orleans type brass riffs. Text me is an original new Burke composition.
Strange that in this anglocentric world this CD is not thought worthy of UK distribution. Let's hope that will change. An appearance of De Dijk on Jools Holland's "Later" programme, which is surely bound to happen, might change that.
Perfect Song (Dat zou mooi zijn)is the last and best of this collection as far as I'm concerned. A social commentary song in the traditon of "A Change is Gonna Come" , it features beautiful piano and guitar work and Solomon's phrasing is always fantastic. The song could be his epitah; let me paraphrase : if you could write a song that could change the world for the better, I'd write a dozen. You can't but you can damn well try. Solomon tried, didn't he try?