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| Disc: 1 | |||
|---|---|---|---|
| 1. Solsbury Hill (2002 Digital Remaster) | |||
| 2. Shock The Monkey (Edit) (2002 Digital Remaster) | |||
| 3. Sledgehammer (2002 Digital Remaster) | |||
| 4. Don't Give Up (2002 Digital Remaster) | |||
| 5. Games Without Frontiers (2002 Digital Remaster) | |||
| 6. Big Time (2002 Digital Remaster) | |||
| 7. Burn You Up, Burn You Down | |||
| 8. Growing Up (Tom Lord-Alge Remix) | |||
| 9. Digging In The Dirt (2002 Digital Remaster) | |||
| 10. Blood Of Eden (Radio Edit) (2003 Digital Remaster) | |||
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| Disc: 2 | |||
| 1. San Jacinto (2002 Digital Remaster) | |||
| 2. No Self-Control (2002 Digital Remaster) | |||
| 3. Cloudless | |||
| 4. The Rhythm Of The Heat (2002 Digital Remaster) | |||
| 5. I Have The Touch (Remix) | |||
| 6. I Grieve | |||
| 7. D.I.Y. (2002 Digital Remaster) | |||
| 8. A Different Drum (2002 Digital Remaster) | |||
| 9. The Drop | |||
| 10. The Tower That Ate People (Radio Edit Mix) | |||
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The first disc--including the MTV smash "Sledgehammer", anti-apartheid war cry "Biko", "Big Time" (interesting how the styles of Gabriel and his former group Genesis seem to converge at this time) and "Games Without Frontiers"--really speaks for itself, although with hindsight it seems the single-buying public-at-large had a particular taste for a certain kind of Peter Gabriel record. Universally excellent throughout, the collection is rendered even more desirable by the inclusion of three previously unreleased tracks: a live rendition of "Downside Up", a shorter version of "Blood of Eden" and "Burn You Up, Burn You Down", latterly included on a video game and initially earmarked for the Up album but jettisoned at the last minute. --Kevin Maidment
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It would have nice to see some of the Birdy Soundtrack included and I would have included something from Plays Live but these are minor concerns.
If you are looking for an introduction to Gabriels career then this is an excellent place to start.
Of course, there will always be problems when putting together a truly definitive greatest hits package for an artist as prolific and idiosyncratic as Gabriel, with many reviewers here complaining about the omission of personal favourites like In Your Eyes, or Going Down La Dolce Vita (or for that matter, some of his more worldly, instrumental work), but I’d hazard a guess that this is as comprehensive as things could get. The collection is broken down into two distinct parts labelled Hit and Miss. Hit has all the more well-know, chart friendly favourites like Solsbury Hill, Sledge Hammer, Don’t Give Up (classic duet with Kate Bush), Games without Frontiers, Big Time and Here Comes the Flood... whilst Miss takes in the more leftfield, or experimental works like No Self Control, I Grieve, DIY, and the Tower that Ate People.
It’s nice to see that Gabriel is interested in giving us a strong cross reference of work that will satisfy both casual listeners and die hard fans alike, creating a best of... collection that actually comes close to representing that tag. Gabriel is one of those artists who will always be around creating diverse and interesting music, and as a result of this, he’s worked with some of the very best people in the business. Hit sees the addition of people like the aforementioned Ms Bush, guitarist Robert Fripp, former Genesis cohort Phil Collins, percussionist Ged Lynch, regulars Tony Levin and David Rhoads, as well as producers like Bob Ezrin (Lou Reed, Pink Floyd), Steve Lillywhite (the Pogues, Simple Minds), Stephen Hague (New Order, Pet Shop Boys) and Daniel Lanois (U2).
This is a great collection of music from one of pop’s great innovators. Songs like Biko, the Rhythm of the Heart and Downside Up (not forgetting the songs mentioned previously) are some of the most heartfelt and intelligent that any artist could possibly create. I suppose one complaint would be, that die hard Gabriel fans will no doubt have all the albums, soundtracks, collections etc already, so this collection will seem pretty superfluous. However, for those looking for an introduction to Gabriel’s musical world, you’ll find nothing better than this.
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