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The ingredients that made the first volume such a spectacular success are still there: highly visual prose, fine informative illustrations, insightful thumbnail sketches of all the leading players and above all a clever interplay between what happened and, often of more significance, what people thought had happened. But this time around Schama also has to weave his way through the complex narrative of the civil war and Protectorate, restoration, "glorious" revolution and establishment of empire. He does so with clarity and wit, but also with admirable sympathy for all the conflicting protagonists--the austere Stuarts, the reluctant hero Cromwell, the cunning Walpole, the gouty Pitt and the thousands of Scots, Irish and American, and the millions of Africans and Indians whose destinies shaped and were shaped by the forging of the British state in these years.
Predictably, some history gets left out. Apart from a colourful depiction of Hogarthian London, social and economic history get short shrift, leading Schama, for instance, to imply that the British push to empire was largely the result of a popular addiction to narcotics: tea, coffee and opium. However, Schama's larger story--how a nation that was created out of a titanic struggle for liberty then went on to impose dubious dominion on much of the rest of the world--is told in a masterly and compelling manner. --Miles Taylor --This text refers to an out of print or unavailable edition of this title.
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The themes of the book are nationalism, power, trade, and the complex relationship between government, monarchy and the people - Schama is a master at juxtaposing the stories of all three, showing the chains of chance, cause and influence that shape history. He quotes original sources liberally, writes in a wonderfully fluid and unaffected style, and has chosen a sensible set of illustrations to accompany the text.
Since Schama covers 150 years in the sort of space he'd previously used to cover the previous 4500 years, there is plenty of room for background, for personality and character (both the author's and those of the protagonists) to be revealed, and for analysis of the what-if's and might-have-beens.
This is narrative history at its best - a book as powerful as Schama's "Citizens" which singlehandedly rekindled my interest in European history.
Absolutely superb - a master at the peak of his talent.
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