HIP CITY: TALES FROM THE FUNKY SIDE OF TOWN is the complete title which indicates that the tracks on this collection are taken from the "low-down" ghetto funk genre, specifically from the late 1960s and early 70s when concepts like "soul", "black power", "black is beautiful" et al. were common currency and were reflected and emboldened by the many soul/funk bands and their recordings.
Most of the cuts here are rare (even James Brown's "Mashed Potato Popcorn", from '69, is not famed) but they all in some way contribute to the empowerment of urban African-American life during the period - homages to dance steps like the "funky eight corners" (with its steady tambourine high in the mix and a rolling bass hook, this track by Willie and the Magnificents is one of the best here), shout-outs to American (inner) cities, and uninhibited displays of pride and affection in the physicality of black people, from the "Ali Shuffle" to saxophonist's Carlos Garnett's kozmigroov classic "Black Love."
Again a UK label gives some of our engaging music back to us with more progressive packaging and deeper sound than can be imagined by the financial fundamentalists at Universal, Sony, et al.