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Track Listings
| 1. Like A Rolling Stone (5:58) |
| 2. Tombstone Blues (5:51) |
| 3. It Takes A Lot To Laugh, It Takes A Train To Cry (3:26) |
| 4. From A Buick 6 (3:07) |
| 5. Ballad Of A Thin Man (5:49) |
| 6. Queen Jane Approximately (4:56) |
| 7. Highway '61 Revisited (3:14) |
| 8. Just Like Tom Thumb's Blues (5:07) |
| 9. Desolation Row (11:18) |
Product Description
Amazon.co.uk Review
Review
Still, escaping fundamentalists from whatever cult they belong to is no bad thing, and it was a newly-liberated Dylan, just days after his controversial appearance at Newport, who recorded Highway 61 Revisited with a rock band in tow. This is the point where Dylan planted both feet firmly on the ground that had been partially turned on 1965’s Bringing It All Back Home, and started digging in. It’s easy to overlook the testy brilliance of “Like A Rolling Stone “on account of its having been part of the musical furniture for the last forty years. Yet the fresh air and fresh ideas, whistling alongside Al Kooper’s soaring organ lines, all add up to this being a 100% classic with one of the great cutting vocal performances to date.
Though comparatively muted at an instrumental level, the “Ballad Of A Thin Man” is no less mordant and biting a put-down. Not all imagery tucked up inside those increasingly florid lyrics plays well but there’s no mistaking the attitude jumping out of every last syllable. The abrasive scrape of his voice meets its match on the boisterous shuffle of “Tombstone Blues” with a spectacular guitar break from Mike Bloomfield ahead of the penultimate verse.
To these ears at least, Dylan works best when he’s at his most concise. Though the purists may find sanctuary in the acoustic-only eleven minute-long “Desolation Row”, and regard any dissention as sacrilege, such verbosity drags slightly upon an invigorating collection of songs which takes things at a brisk pace. --Sid Smith
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Customer Reviews
Dylan turned the musical world on its head when he went "electric", and the musicians he assembled to back him are legendary; Michael Bloomfield, guitar / Al Kooper, organ & piano / Paul Griffin, piano and organ / Bobby Gregg, drums / Harvey Goldstein, bass / Charley McCoy, guitar / Frank Owens, piano / Russ Savakus, bass. The music they make sounds as fresh today as when I first heard it four decades ago; everyone will have their favorites, mine are "Ballad of a Thin Man" and "Tombstone Blues", but all nine tracks are brilliant and powerful.
Fortunately CBS/Sony has released this CD in the same format as the original LP, with Dylan's incomprehensible but terrific liner notes ("On the slow train time does not interfere..."), and with no extra tracks to ruin the feel of the music. It is a recording that is like clear water when compared to the stagnant musical times we live in, and no CD collection is truly complete without it. The sound is excellent and total playing time is 51'37.
I have all of Bob Dylan's albums but this one, in my opinion is the best. Blonde on Blonde, Blood On The Tracks and many more run it close, but it is Highway 61 that I keep coming back too. From the opening bars of Like A Rolling Stone, you are hooked and there is no going back. Just listen to the lyrics of the album from the start, ending with Desolation Row, which is Dylan's crown jewel on the album. No other songwriter on the planet could write Desolation Row! You have to hear it to believe it. In between there is Tombstone Blues, Ballad Of A Thin Man, Queen Jane, Highway 61, and Just Like Tom Thumb's Blues. All are simply superb.
This album changed rock music forever.... This is essential and fully deserves 5 stars. BUY IT NOW!!!
This album is as rough and ready as it comes. It sounds like it was a whirlwind session, as if everone ran into the studio to record it all in one go, one take each song, before everyone legged it out of the studio once again to follow Dylan on the next leg of his creative evolution. The song that sounds the worst on this album is Like a Rolling Stone; a fantastic song, powerful and spiteful in all its other forms, but the sound of the original is, dare I say it, horrendous. Listen to that 'chuga-a-lug-lug' guitar in the middle of the mix (possibly Dylan) especially when he loses the timing.
I always thought Tombstone Blues would've made a better start. This is a stonking song; violent, fast, like a steam train driving through your stereo. Dylan's voice on this is wonderful, so full of character, especially when he slyly and dirtily sneers "stop all this weeping, swallow your pride. You will not die, it's not poison" (my interpretation of this line doesn't bare thinking about!). The length of this song is impressive too. How they kept up that beat for the entire length of the song is a mystery.
It Takes A Lot To Laugh, It Takes A Train To Cry and From A Buick 6 are sublimely sluggish songs, kind of like (I can only imagine) rolling slowly down a muddy hill, but they still dont lose that loose urgency that appears with the other songs. Ballad of a Thin Man is possibly the dirtiest, most metaphorical song I've ever heard and is delivered with that same disgust and foreboding that poor old Mr Jones must feel for himself.
Highway 61 Revisited returns to the same powerhouse stomp-a-long as Tombstone Blues and is similar too in its humorous, character driven lyrics, a quality of his songs I have always loved. Just Like Tom Thumb Blues is a good song, but every time I hear this version, I have to go put on the vastly superior version from the Bootleg Series vol 4.
Now...what words can I use to describe Desolation Row? Nothing that will do it justice, that's for sure. One of my favourite songs of all time and certainly one of the most beautiful I've ever heard. Again, a wonderful character driven song, featuring Romeo, Cinderella, Casanova, Betty Davis, The Hunchback of Notre Dame, Einstein, The Phantom of the Opera, T.S Eliot and others. The imagery that this song envokes and the gorgeous poetry it is formed around is made all the better in its heartfelt delivery. This is a song that I can listen to again and again; indeed, I never really want it to end. During the last harmonica solo, I am always anticipating that hidden verse I've always missed, that perhaps this time his voice will kick in again and the song continues in an everlasting roam. Of course, this never happens, the song comes to a close and all I can do is play it again from the start.
Please, buy this album, because if you have any kind of creative bone in your body then this will serve as the greatest of inspirations. Some of the most beautiful use of the English language ever is contained in this album, of which Dylan is one of the true great masters. His voice may not be to everyone's taste, but the poetry he writes and the way he delivers it makes his songs truly beautiful. When Dylan writes and sings a song, you know he's not messing about...he TRULY means it.
What kind of genius writes like that? The best kind...
Like Bob Marley once sayed Listen carefully now and you WILL HEAR. Read more
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