About half photos and half text. Coffee-table sort of book. Treats each of 90 wooded areas (some individual trees) with a decorative spread of good but not great photography and a sometimes nannyish prose description. Features an outline map of Great Britain indicating rough location of each subject woods. Also a gazetteer at the back with driving directions to each.
The selection of woods and trees seems odd to me, an untravelled Californian. Most seem spindly and scrubby. They have usually been cut back over and over again ("coppiced" and "pollarded") for centuries until they are left shrubby, with many slender, gnarly trunks. Many have a krumholz effect, which can be attractive, but less so when it is caused by arboricultural interference as these are. Most others are dwarfed by suboptimal growth conditions (cliffsides) where the sheep couln't get at them. One gets the impression that the southern half of England has very few trees over 20 feet in height, and almost none over 30 feet. It explains why they are hidden.
Scotland and Wales do a little better with some healthy looking woods and a lot of interesting stressed trees, sort of a subalpine effect.
There are only a handful of tree species represented, but the impression I get is that these are the only species in Great Britain. It seems that the only non-introduced conifers in Britain are the Yew and the Scotch Pine.
The photographs are very attractive but not very botanically informative. Although the author writes in many places about lime trees, and photographs many of them, I would not be able to identify one on the basis of this book. From the photographs they appear as just generic trees. This is a frustration throughout the book. I do think I might be able to identify a rowan in leaf on the basis of this book. So that's one to the good. But I might get it confused with a whitebeam.
The author's writing talents do not measure up to his photography. The text is a chatty travelogue just slightly above the level of a flight magazine.
Some reasons you might want to buy this book. a.) It's pretty. b.) It's a conversation starter. c.) It's very relaxing, non-stressful reading, good to while away idle moments or at bedtime. d.) You live in Great Britain and want to travel around and see some of these trees and their settings. e.) It introduces a little-known aspect of the British countryside.
It is obvious from the author's use of informal Britishisms and various assumptions about what readers know, that he did not expect this book to be read outside Great Britain. Which is an adequate explanation for what I perceive as flaws. I might award four stars if I lived in England.