I' ve never heard or seen his first album which, to my knowledge, was only ever issued on vinyl several years earlier, but this, his debut on CD is superb. And what with the smooth jazz genre having got a bit stale generally since about 2000, Hidden Agenda still holds up very well indeed. GA was one of the founding members of the Tower of Power horns (and, presumably, part of the crew that played on Santana's magnificent 3rd album) and this album is rich, deep, full, punchy and funky, spoilt only by one typically duff vocal track and by Gary Herbig's horridly strangulated squawky sax on Mahdi (whoever the hell he was), The Expected One. The instrumental arrangement of Smooth Operator is a minor killer, though my personal faves are the title track, Tribeca and Amsterdam. On the latter track, the bass features truly awesome bass lines which seem to rove up and down and back and forth like nothing else in my collection.
Recorded at a variety of studios in and around LA (except for just a bit at Battery Studios in London, probably the English vocal on Smooth Operator) by fellow collaborator Ken Kessie, with occasional help from Don Murray, and mixed at Skip Saylor Studios in LA by Ken Kessie and Eric Flickinger, except for Burma Road which was mixed by Don Murray at Sunset Sound. The strings and horns were recorded by veteran Al Schmitt, whilst Greg Adams and Ken Kessie produced. All tracks were written by Greg Adams with help from the likes of Ken Kessie, James Wirrick and Nick Milo, each of whom played variously keyboards, bass and drums
Hidden Agenda is a tremendously sassy album and in my opinion he hasn't managed a better one since, the closest approach having been Firefly from several years later. Start here and see what you think.