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Product Description
Amazon.co.uk Review
In need of proof that indie mid-distance runners James are more than just that lot that made audiences "Sit Down" in the early 90s, with the occasional B-list single since? Then set yourself down in front of the title track of this, their first album in seven years and their most vital release in fifteen. "Hey Ma!" shrills Tim Booth in a disfigured falsetto, "boys in body-bags, coming home in pieces!". It's a robust piece of dissent, awkward to listen to and not exactly a short-cut to radio playlists, but the remarkable thing is how infectiously the band chime up around him, from muted flutters to spirited pulse-boosting bombast without missing a beat, acoustic guitar shredded like ticker-tape, buoyed by hopeful harmonies. It becomes a ringing pop tune, transcending its context but in turn reinforcing its message, because you can't escape it--a textbook protest song, and as such a precious rarity. This classic James line up--the one that last crafted 1993's Laid--invoke the spirit of that record and though Brain Eno doesn't produce Hey Ma they remain inspired by his methods, resulting in a fluid gushing of inspiration, numerous melodic shadings and complex weaves of sound that are never quite allowed to run away with themselves. "Bubbles" explodes in a welter of criss-crossing driven hard by a quivering trumpet fanfare, "White Boy" has the kitchen sink thrown at it and judders nearest to their earlier eccentricities, while "Of Monsters & Heroes & Men" hosts a much more subtle evolution, perfect for Booth's unwinding prose and the hymnal ends it achieves. --James Berry
Review
Back in 1991, there wasn't a sixth form disco dance floor in the country that didn't fill to bursting point whenever James's anthem, Sit Down, was played. After an early career plodding away worthily in the indie backwaters, Tim Booth and his chums suddenly realised that an unsubtle combination of baggy beats and a football chant chorus could catapult them to stardom and lo and behold, they had a number two hit.
James remained a big-selling act throughout the ensuing decade and now, after a seven year hiatus, they're back in the studio with comeback album, Hey Ma. Like most other bands that reappear after a long absence, they've smartly decided to ensure they satisfy their old fan base by making minimal changes to their sound, although Hey Ma is closer in style to Laid than the Gold Mother-era crowd pleasing that spawned Sit Down.
Like its 1993 predecessor, the seven piece's new effort takes time to grow on the listener, but once its quietly epic songs lodge in the brain it's as if James have never been away. Tunes slowly build to a shuffling beat before the soaring melodies irresistibly take flight, propelled by trademark jangling guitar, brass flourishes and Booth's soaring, passionate vocals. The ebullient front man has also retained his gift for erudite if occasionally silly lyrics, with White Boy's ''my mum says I look like Yul Brynner, too old for Hamlet, too young for Lear'' the most memorable example.
Other stand out moments include the strident title track, which blends a typically effervescent hook with some uncompromising anti-war imagery, and Waterfall, curiously akin to Blonde On Blonde-period Dylan with a sugar rush. Boom Boom's atmospheric guitars bring to mind fellow Mancunians Doves, although a self-indulgent Adagio For Strings-apeing interlude is one of the few bum notes to be found on Hey Ma. Overall, this is an impressive return to form from a group who continue to craft their own distinctive brand of understated, uplifting rock while those Sit Down sixth-formers contemplate thirty something paunches, mortgages and antenatal classes. --Chris White
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Most Helpful Customer Reviews
18 of 19 people found the following review helpful:
5.0 out of 5 stars
Gobsmacked,
By Luke Redridge "Luke Redridge" (Cumbria) - See all my reviews
This review is from: Hey Ma (Audio CD)
With all the mixed fan and press reviews I was expecting very little from this album. But blow me down, it bowled me over. It is everything it could and should have been. There is more heart and soul in one of these songs than many bands manage in a whole career. It is a remarkable record, a real career highlight and the band should be as proud as punch that they have delivered something as beautiful and uplifting as this. There are elements of Laid, Strip mine and Seven but it works as its own album. Of course there is the odd daft Tim Booth lyric, it wouldn't be a James album without it. He tells us on the title track that war is bad. Just in case you were unsure. But that's ok, just like seeing a beautiful girl in a daft pair of trousers, its almost endearing.And that aside, it's a beautiful, hopeful, elegant, bloody brilliant record.
44 of 48 people found the following review helpful:
5.0 out of 5 stars
A mighty comeback album,
By
This review is from: Hey Ma (Audio CD)
Wow what a comeback album this is, I encourage all James fans, old and new to investigate....Bubbles One of the best James songs ever written. The starting of the song is very similar to the like of Laid album/The Lake stylistics but explodes into a very beautiful passionate song which seems to be about a new born life with a great future. Just a brilliant opening track. transferred from live performance to record seamlessly. You will be singing 'I'm alive' for months. Uplifting stuff! 10/10 Hey Ma It may be 16 years on but the song Mother is still a haunting track and Hey Ma is no different lyrically, but it is a very uplifting song musically which contrasts so well with the deep lyrics being sung about 9/11, Iraq and Afghanistan and particularly about consequences of your actions. This sort of shows the best and worst of Tim's voice, there is a point where he sings 'coming home' in a kind of a strained way yet somehow im transported back in time to the early 90s in other places. Strange, but great, pointed lyrics. 9/10 Waterfall This could probably the succesor to Say Something, my feeling on this song is that it is wonderful but at times the production is too heavy and almost sags under its own weight like the latest Manics album does. There are parts I love to this song such as the lovely verse guitars and backing vocals in the chorus and the chanted verse is particularly wonderful. The 'Im so cynical bit' is the part I think goes over the top perhaps for me. Again the underlying feeling of Laid but production values of Seven 8.5/10 Oh My Heart Very anthemic in a Booth and The Bad Angel meets Seven kind of way, I read a review which says an 'old-school' James anthem. I can hear U2 in the guitar as well which puts me back to the Seven album. There is something about it that doesn't win me over in the same way the previous songs did, but the fact that I'm giving the first four tracks at least 8/10 bodes very well for the rest of the album. The fact that there is loads of guitar in this track is great and is as far away from Pleased To Meet You as my bloody football team winning the title! This could really soar live as well a real out-there number. 8/10 Boom Boom A song which at first didn't really grab me and thought was not fantastic. However it started getting ingrained in my head and for days I had the melody in my head. It has a dominant trumpet line. This is a song similar to Were Going To Miss You lyrically in terms of hitting back at the critics of the band who had written them off. It is quite a dark melancholic song with an orchestral ending. 7/10 Semaphore A very beautiful slow number about a man who has hit a woman realising what he's done. 'But its too late for sorry' Fantastic echoey guitar and bass with some fantastic lyrics. The slowest song on the album which allows pause for reflection for what we've heard already. 8/10 Upside First aired at least a year ago at some of the gigs last year. It is the one song I'm truly disappointed with, it doesn't really do anything for me. It's about immigrants being away from their loved ones. For some reason it doesn't work for me, I think it is in the arrangement somewhere and the chorus also doesn't work for me. Not what I was expecting. A bit of a mess. 5/10. Whiteboy I love this track, it's the most fun and uplifting track since laid. This really is the 'old-school' James track I had been looking for, a mile away from the poor 'What Is It Good For' et al the whole song is what sums James up for me; fun, slightly goofy, uplifting, estoric, catch as fcuk particularly love the way the 2nd verse explodes into the 'Wanna talk to me Whiteboy' 2nd chorus just whisks you away! 9/10 72 A song about religion and brings up strong imagery of suicide bombers. The darkest song on the record although ironically a little funky with a dark electronic backdrop and rythmn section. The chorus of WAR will be ingrained in your head immediately. 7.5/10 Of Monsters Heroes and Men This song is based on an extended poem full of imagery. This was played love at the September Hoxton shows. It's an interesting song that builds up to a kind-of mantra at the end with Andy's trumpet kind of taking over the song. Again it doesn't have much of an effect of me compared to what has gone before. 6/10 I Wanna Go Home This is brilliant. A wonderful yearning song, although a bit too short. It is about a guy in a bar full of remorse, dying of a remorse. A fantastic closing track with effects coming in and out and builds to a crescendo of 'I wanna go home right now', awe-inspiring and I can personally identify with the lyrics as well. I just wish it could have gone on longer. 10/10 Child To Burn (Itunes Deluxe track) This is an extremely beautiful Wah Wah/Laid style track with slide guitar, and Tim in falsetto most of the time. Extremely atmospheric. 9/10 Overall A totally fantastic album overall, miles better than the last two albums. It sounds totally 'together' and everything hangs together well. Apart from one or two flawed songs, mainly in terms of arrangements this contains some of the best James songs ever written. Yes it possibly lacks anthems in a 'singles' way, however it is closer to Laid in spirit in terms of lyrics and some of the music. There are moments of a bigger sound, with A Seven-esque production value namely Oh My Heart and Waterfall. This is now my 3rd favourite James album, and only Laid and Whiplash better this one. In terms of a comeback album this is so much more than I and James fans could have hoped for. Ignore those stupid reviews that give this 1 and 2 stars they obviously can't hear the beauty within. Dream Thrum score. 8/10 - a mighty album.
6 of 7 people found the following review helpful:
4.0 out of 5 stars
A strong and very consistent comeback. Superb!,
By
This review is from: Hey Ma (Audio CD)
Comeback albums can always have that air of 'better times are in the past' about them. 'Hey Ma' - James' first album in over 6 years is a very rare creature in the 'comeback' zone - it sounds energetic, full of fresh ideas and contains a consistent collection of great tunes / arrangements. Tracks like the opening 'Bubbles', the title track and 'I wanna go home' are anthemic. These guys aren't recording this on a yacht in the Bahamas or at their £50m mansion somewhere in the Swiss Alps - these guys sound as angry and enthusiastic as ever. I am not a huge James fan but have to say this is probably the best 'comeback' album I have heard in many years. There are a lot of influences here over and above James themselves - Bowie, U2, a bit of Ray Davies in the vocal style. Truly excellent. Ignore the duff reviews - they are missing the point. This will be one of the best albums of 2008 when we look back in December.
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