One of several books tracing the life of a dubious character who washed up in China. In 1973 Hugh Trevor-Roper was asked to handle two unpublished works by the Sinologist Sir Edmund Backhouse, and though Trevor-Roper wasn't himself a Sinologist, he definitively investigated and discredited Backhouse's academic and business affairs.
The story is certainly engaging, Backhouse claiming to have dicovered 'the Diary of His Excellency Ching-shan' while sheltering in Ching-shan's house in Peking during the Boxer Rebellion, and nine years later publishing the diary as a chapter of 'China Under The Empress Dowager', written in collaboration with J.O.P. Bland, the Times correspondent. The diary purports to detail the events of the Boxer Rebellion as seen by Ching-shan from inside the imperial court, a perspective much sought-after by historians in the years after the rebellion. Although G.E. Morrison, Bland's superior at the Times, denounced the diary as a fake straight away, Backhouse's reputation continued to survive, even when a number of other Sinologists began to dispute the origins of the 'diary'.
It appears that there was nothing Backhouse could do honestly, apart perhaps from early in his career bequeathing 27,000 volumes of Chinese books and manuscripts to Oxford University, which he had left early to escape mounting debts. You might wonder how Backhouse had acquired such a collection, but post-Boxer Rebellion looting may explain a lot of it. And Backhouse's business efforts were scams, such as selling non-existent ships to the Chinese or, during the First World War, with Britain desperate to supply arms to her ally Russia, fleecing the Britsh government over sales of imaginary weapons.
It is galling to read how Backhouse essentially got away with it all, dying in 1944 as a well-liked member of the foreign community in Peking. Other scholors would politely ask him to explain discrepancies which they had spotted in his story of finding the diary, and though he occassionally had some explaining to do he was seemingly untroubled by this, patiently trotting out more untruths. He was never called to account for the vast sums he had defrauded friends, business partners and politicians for.
This book might be a model of how literary detective mysteries should be written, except for its somewhat aloof tone. Trevor-Roper does not share enough with us. He mentions books and other works which he has seen, but he rarely quotes from them to illustrate his arguments; it merely suffices that he has seen them. And though this book was written not too long ago, older books have been written with a more modern ambience. Trevor-Roper writes from a world in which men have their papers, frequently discussing this or that person and his papers. It's a self-regarding milieu that he conjures up, and one which he appears to be a member of. A passage on page 24 shows the slightly suffocating tone of Trevor-Roper's approach:
"The private papers which might have shed light on Backhouse's early years in China are those of Lord ffrench, with whom Backhouse was closely connected in 1908-9; of Percival Yetts, who was both a Chinese scholar and, while Legation doctor, Backhouse's medical adviser; and of Sir Reginald Johnston, the Confucian scholar and Chinese administrator... But no ffrench papers have survived and we know that both Yetts and Johnston caused their own papers to be destroyed. Sir Sidney Barton, who knew Backhouse well in Peking, seems to have left no personal papers. Two men whose personal judgements on Backhouse as a man and as a scholor would be of interest are Sir John Jordan, British Minister in Peking 1906-20, and Arthur Waley; but I have been unable to trace any private papers of Jordan, and Waley's papers disappeared in mysterious circumstances after his death."
Papers, papers, papers; aren't they called 'archives' nowadays? Still, it's a good book, written by someone who surprisingly was later to be fooled by another fake diary, that purporting to be of Adolf Hitler. With nine photos, a particularly creepy photo showing Backhouse looking archly into the camera over the shoulder of Princess P'u-lun, who doesn't know he's there. All of Backhouse's secretiveness and talents for dishonesty are summed up in that photo.