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Album Savings: £4.08 compared to buying all songs
- Original Release Date: 14 Sep 2009
- Format - Music: MP3
- Compatible with MP3 Players (including with iPod®), iTunes, Windows Media Player
- Also available in CD Format
Buy this MP3 album with any other MP3 album under £8 and pay no more than £10 for both (terms and conditions apply). Just look for any album with this message, put it in your basket with another eligible title and the discount will be applied at checkout. |
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| Song Title | Time | Price | |||
|---|---|---|---|---|---|
| Play | 1. Because He Was A Bonny Lad | 2:36 | £0.89 | ||
| Play | 2. Sad February | 4:36 | £0.89 | ||
| Play | 3. Annachie Gordon | 8:15 | £0.89 | ||
| Play | 4. Lucky Gilchrist | 4:51 | £0.89 | ||
| Play | 5. The Testimony Of Patience Kershaw | 4:05 | £0.89 | ||
| Play | 6. Living By The Water | 6:08 | £0.89 | ||
| Play | 7. Where've Yer Bin Dick | 0:47 | £0.89 | ||
| Play | 8. Nobody Knew She Was There | 5:53 | £0.89 | ||
| Play | 9. Flowers Of The Town | 3:05 | £0.89 | ||
| Play | 10. Not Much Luck In Our House | 0:47 | £0.89 | ||
| Play | 11. At First She Starts | 3:38 | £0.89 | ||
| Play | 12. Here's The Tender Coming | 5:23 | £0.89 | ||
| Play | 13. Betsy Bell | 4:14 | £0.89 |
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Customer Reviews
Most Helpful Customer Reviews
10 of 10 people found the following review helpful
Format:Audio CD
A beautiful, haunting album. I came across the band only recently (Rachael used to play cello in a band I sometimes played for). I love the way in which they have developed old folk songs and combined them with new tracks such as 'Lucky Gilchrist'. I particularly like the storytelling in 'Annachie Gordon' and the emotion in 'The Testimony of Patience Kershaw'. A stunning album. I will definately be purchasing their other album very soon.
56 of 60 people found the following review helpful
Format:Audio CD|Amazon Verified Purchase
I made the mistake of playing this for the first time driving to work and, by the end of track three, had tears in my eyes! Not good in fast traffic, but its a joy to listen to none the less.
This is a wonderful collection of songs, some of them actually joyful (Because He Was A Bonny Lad / Where've Yer Bin 'Dick / Betsey Bell and, in darker form, the fragment Not Much Luck In Our House) but most of them sad and profoundly moving in that they deal with life's difficulties and what's needed to address them. But that would go for both the sisters' previous records and doesn't explain why I think this is the best of the three.
To date there's always been a sense that the Unthank sisters and their band of musicians might fall into the standard "folk" trap. The one where the musical arrangements becomes stuck in a certain idea of what "real" folk music should sound like - either the idea of "authentic tradition" (which is for me what kills off so much so-called Celtic folk music) or else the "classical" idea (usually involving a lot of fancy piano playing). This new CD demonstrates that they are too canny for that and, together with Andy McNally, have found ways to use something from both approaches to make something that serves they own particular musical vision - witness the use of brass on Sad February and Nobody Knew She Was There. Above all there's a sense of each song getting the particular musical attention it deserves (rather than what a marketing man thinks will sell it) so that, rather than simply respecting the lyrics, they are brought to their full emotional life for a contemporary audience. Anyone who doubts the relevance of this kind of music should listen to carefully to the title track!
For that reason I suspect that a lot of people may find this hard going at first listen because it simply doesn't fit their idea of what "folk" should be. Please persist, its a great record.
This is a wonderful collection of songs, some of them actually joyful (Because He Was A Bonny Lad / Where've Yer Bin 'Dick / Betsey Bell and, in darker form, the fragment Not Much Luck In Our House) but most of them sad and profoundly moving in that they deal with life's difficulties and what's needed to address them. But that would go for both the sisters' previous records and doesn't explain why I think this is the best of the three.
To date there's always been a sense that the Unthank sisters and their band of musicians might fall into the standard "folk" trap. The one where the musical arrangements becomes stuck in a certain idea of what "real" folk music should sound like - either the idea of "authentic tradition" (which is for me what kills off so much so-called Celtic folk music) or else the "classical" idea (usually involving a lot of fancy piano playing). This new CD demonstrates that they are too canny for that and, together with Andy McNally, have found ways to use something from both approaches to make something that serves they own particular musical vision - witness the use of brass on Sad February and Nobody Knew She Was There. Above all there's a sense of each song getting the particular musical attention it deserves (rather than what a marketing man thinks will sell it) so that, rather than simply respecting the lyrics, they are brought to their full emotional life for a contemporary audience. Anyone who doubts the relevance of this kind of music should listen to carefully to the title track!
For that reason I suspect that a lot of people may find this hard going at first listen because it simply doesn't fit their idea of what "folk" should be. Please persist, its a great record.
27 of 30 people found the following review helpful
Format:Audio CD
I admit I was concerned.
Possibly the greatest musical awakening of my life was down to Rachel Unthank and the Winterset. "The Bairns" was so utterly and triumphantly eye-opening that I was anticipating any new release with equal amounts of excitement and trepidation.
It seems there is no need to worry. The creative wellspring of the Unthanks obviously runs pretty deep. They have produced another finely balanced collection of songs which both delight and inspire. Even though they now have more members and instruments contributing to the overall sound these songs still exhibit the sparse beauty of arrangement which I loved so much in "The Bairns".
Yet again Becky's voice raises the hairs on the back of my neck with alarming regularity but now this can also be triggered by the occasional introduction of a measured and sometimes superbly dischordant brass section lazily emerging from the rich soundscape and then sinking gently back behind the voices and strings.
All 13 tracks exude their own distinct charm mixing the traditional with the slightly more contemporary but none seem out of place. Tunes range between the joyous to the terribly poignant with "The Testimony of Patience Kershaw" and "Nobody Knew She Was There" being particularly affecting.
The band has been quoted as saying they didn't want to make another "Bairns" and they certainly haven't. They've created, at bare minimum, an equal, albeit a close relation, one with the same heart and soul intact which was something I foolishly doubted would ever be possible. The more I listen and the further I fall under its spell I'm beginning to think that they have in fact surpassed the impossibly high standard already set.
This is a fantastic album, an absolute testament to "The Unthanks" various talents and overall creative genius. "At First She Starts" is shaping up to be the standout track for me so far.
I'm also glad, listening to Betsy Bell, to discover that we can still look forward to some more clog-dancing at the live shows.
Possibly the greatest musical awakening of my life was down to Rachel Unthank and the Winterset. "The Bairns" was so utterly and triumphantly eye-opening that I was anticipating any new release with equal amounts of excitement and trepidation.
It seems there is no need to worry. The creative wellspring of the Unthanks obviously runs pretty deep. They have produced another finely balanced collection of songs which both delight and inspire. Even though they now have more members and instruments contributing to the overall sound these songs still exhibit the sparse beauty of arrangement which I loved so much in "The Bairns".
Yet again Becky's voice raises the hairs on the back of my neck with alarming regularity but now this can also be triggered by the occasional introduction of a measured and sometimes superbly dischordant brass section lazily emerging from the rich soundscape and then sinking gently back behind the voices and strings.
All 13 tracks exude their own distinct charm mixing the traditional with the slightly more contemporary but none seem out of place. Tunes range between the joyous to the terribly poignant with "The Testimony of Patience Kershaw" and "Nobody Knew She Was There" being particularly affecting.
The band has been quoted as saying they didn't want to make another "Bairns" and they certainly haven't. They've created, at bare minimum, an equal, albeit a close relation, one with the same heart and soul intact which was something I foolishly doubted would ever be possible. The more I listen and the further I fall under its spell I'm beginning to think that they have in fact surpassed the impossibly high standard already set.
This is a fantastic album, an absolute testament to "The Unthanks" various talents and overall creative genius. "At First She Starts" is shaping up to be the standout track for me so far.
I'm also glad, listening to Betsy Bell, to discover that we can still look forward to some more clog-dancing at the live shows.
Most Recent Customer Reviews
Haunting melodies, beautiful singing
It is hard to say more than has been said by other reviewers, so let me just add my wholehearted recommendation.
Published 19 days ago by Martin Thomas
Here's the Tender Coming: The Unthanks - A beautiful pair of voices,...
The British folk scene is incredibly strong at the moment. We have the populist freneticism of Mumford and Sons, the eclectic and adsorbing Bellowhead and luminaries such as Seth... Read more
Published 2 months ago by Victor
Beautiful album
This is a beautifully balanced album featuring delighful performances by the sisters, whose harmonies are precise and occasionally splendidly unusual.
Published 7 months ago by ged m
stunning
For the few (?) of us who asked themselves : And now? What's after the McGarrigle ?After the Penguin Café Orchestra ? Christine Lavin? Read more
Published 12 months ago by Piervincenzo Crida
Took a while to get used to
have listened several times and still finding more to listen to in here. Suspect will grow to like it very much.
Published 12 months ago by Tomric122
Here's the Tender Coming - The Unthanks
These girls can do no wrong when they sing so harmoniously together, especially without too much musical accompaniament. The songs are haunting.
Published 13 months ago by C. A. Russell
Not for me
Although I've seen them on folk programmes on tv, which is what I based my purchase on, this one will go to the back of the cupboard.
Published 13 months ago by Tootles
Unthanks CD
My first experience of the wonderful Unthanks. Five star reccommendation.
Beautifully sang, beautifully produced and wonderful songs. Read more
Beautifully sang, beautifully produced and wonderful songs. Read more
Published 13 months ago by Martin C. Smith
Beautiful
Wonderful. A recording I wish I'd been listening to every week since its release.
Its predecessor 'The Bairns', whilst deserving every accolade heaped upon it, was up... Read more
Its predecessor 'The Bairns', whilst deserving every accolade heaped upon it, was up... Read more
Published 15 months ago by CeejayExcee
Utterly Beautiful
Heard The Unthanks on a BBC2 awards prog one evening before Christmas and was spellbound, so the next day I ordered this and gig tickets to see them in 2011 in Cambridge. Read more
Published 16 months ago by C. Elliott
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