We learn early in this 58-minute German film made in 2008 that conductor Herbert Von Karajan had one heck of an ego. Everyone agrees to that. He was self-centered, tyrannical and very possessive. He wanted to also be rich. But all those interviewed - and there are folks on both sides of the conductor's admiration society - agree he was a powerful conductor, and Beethoven was his specialty.
What is not obvious from listening to his CD recordings is that the conductor was fascinated with technology, especially that of videotape. We see a brief clip (all we ever see are excerpts of two minutes or less) of him conducting the Berlin Philharmonic (where he was principal conductor for MANY years) in Japan. He realizes that the concert, which was broadcast, was performed in front of 3,000 people but 3 MILLION viewers were watching. It was then he decided that he would videotape his concerts and they would be his memorial for future generations after he died. He hired directors but was not happy with the way they shot the concerts, particularly not showing him in close-up often enough. So he learned all he could about movie making and directed himself - even using pre-recorded music! He made friends with the CEO and President of Sony and made many trips to visit their factory to get the latest video taping equipment. He was fanatical about this.
The film includes recent interviews with members of the Berlin and Vienna Philharmonic orchestras, his film editor and his personal secretary. These are woven together with archival film of Von Karajan himself from various interviews before his death. The film, which has no separate narrator, contains subtitles. In the few cases where the interviewee is speaking in English, the words are spoken by someone else in German. The subtitles are easy to read.
The only supplements are brief previews of other Arthaus DVDs, one of which is the memorial concert for Von Karajan in Vienna. You can tell from this brief clip that the Von Karajan, himself, would not have been happy with the video; there are very few close-ups of the conductor and the camera angles would be, to him, all wrong.
As a viewer not as well versed as some in classical music, I found this film engaging and entertaining as well as informative.
Steve Ramm
"Anything Phonographic"