The Shamen like their protagonist "Ebeneezer goode " suffered a common problem "...very much maligned and misunderstood" This Album 'Hempton Manor'1996 only serves to underline the point . While most would have cast a wary ear towards the band having only heard their radio friendly contributions to the pop world via tracks from their commercially triumphant chart album Boss Drum , it would sometimes seem at best that the band were a flash in the pan quirky pop group. Hempton manor then serves as a very striking contrast that they were indeed that but so much more . For the buyer wondering what to expect in the light of their radio hits , prepare for a mind altering departure. Hempton Manor is an entirely instrumental long player , released at a time where tension was mounting between the band and thier record company for NOT making pop music, Hempton delivers a 10 track array of infectious dance grooves sometimes drawing upon the massive Drum and bass scene of the time , then delving into the depths of deep melodic techno in others. What is very apparent is that a definative quality of music resides throughout , this is something that the shamen always had under their proverbial belts and perhaps the least recognised facet of their dynamic as a band . From the opening riffs of the first track Freya you will feel that you are about to be sent on an audio voyage into trance laden audio space , the album manages to deliver a highly enjoyable ride from start to finish . If you thought the shamen were just a pop band , prepare to be pleasantly surprised. For those who are more familiar with the Shamens discography Hempton manor will remind you how well they transported you deep underground. Essential listening.