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Product Description
Amazon.co.uk Review
Malevolent megalomaniac or eerie artiste? Rob Zombie is a bit of both. With spooky metal music that's as colourful and kitschy as its comic art, the singer's solo debut bears more than a little resemblance to his band of many years, White Zombie. These 13 tracks (yeah, there just had to be 13!) continue to explore Zombie's fascination with psychotic noise, pummelling grooves, campy samples, and all things horrific. Instead of just playing dictator, however, this astrocreep allows space for cohorts such as guitarist Danny Lohner and drummers John Tempesta and Tommy Lee to shine darkly. He also shares artistic credit for the LP's elaborate 24-page booklet. Zombie's finely crafted disc is heavy-metal thunder that's turbocharged for the new millennium. --Janiss Garza
Product Description
ROB ZOMBIE Hellbilly Deluxe (1998 European 13-track CD featuring the first solo album from Rob with the help of White Zombies John Tempesta Mike Riggs and Rob Blasko Nicholson. Includes the singles Dragula Living Dead Girl and Superbeast complete with a picture sleeve booklet which reeks of grindhouse goodness!)
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Most Helpful Customer Reviews
9 of 9 people found the following review helpful:
5.0 out of 5 stars
Embrace the darkness,
By Daniel Jolley "darkgenius" (Shelby, North Carolina USA) - See all my reviews (HALL OF FAME REVIEWER) (TOP 100 REVIEWER) (REAL NAME)
This review is from: Hellbilly Deluxe (Audio CD)
Rob Zombie has certainly managed to forge his own special place in the hard-rocking halls of popular music. He went all out in the gimmick department, but it definitely works. Having little familiarity with White Zombie at the time this album was released, Living Dead Girl served as my mode of introduction to this "unusual" artist. I immediately found his music disturbing, unique, and definitely appealing, but I initially hesitated in buying Hellbilly Deluxe. Once I heard Dragula, though, I had to get the album. As a horror fan, I enjoy Zombie's close affiliation with the darker paths of life. He can be a little scary, I suppose, but the hint of whimsy that can be discerned in his music is made much clearer when you get a look at the little booklet that comes with the CD. The disturbing cartoon references bring to my mind images of wonderful old monster movies, Weird Tales magazine, and those vintage horror comics that eventually became victims of government citizenship. Rob Zombie knows how to have fun with extreme horror, and that makes him a great guy in my book.Personally, I love the way words and small speeches are incorporated into his music (not to mention the joys of hearing random screams in the background); it helps make listening to Zombie a surreal experience. This does mean that you don't really have 13 songs on the album, though; a few of the tracks are short musical bridges connecting one great song with another. This is not a problem, though, because everything goes together to make this album an experience that transcends simple music. As for the music itself, I love its driving beat, horrorific overtones, and powerful vocals. The guy's not going to win any singing contests, but it doesn't matter because his presentation is excellent in all facets of the music-great lyrics with pulsing, rhythmic beats that worm their way into your brain and chest, letting you pretend for a while that your heart is black and nothing really matters beyond experiencing life in its most fundamental and necessarily unclean ways. I wouldn't want to go out in public in a Zombie-fied frame of mind, but this music is a great way to relieve the stress of mundane modern life. Living Dead Girl and Dragula are the most familiar tracks on here, but there are plenty of songs of the same high caliber. Superbeast gets the show off to a great start; the relentlessly pulsing beat of Spookshow Baby is awesome; Meet the Creeper and The Ballad of Resurrection Joe more than hold their own, and Return of the Phantom Stranger has a mesmerizing quality in its monotone lyrics, sneaking up on you from side to side before unleashing its full torrent of force upon both ears simultaneously. There is a great cohesiveness to the album as a whole, making it almost impossible for you to simply pick and choose different tracks to listen to; Hellbilly Deluxe essentially requires you to listen to the whole thing in all its complete glory ever time you put the disc in your CD player.
3 of 3 people found the following review helpful:
4.0 out of 5 stars
Yo Rockers! Shake Yo Asses!!!!!,
By Samedi "Ray Favourite" (Ayr, Ayrshire United Kingdom) - See all my reviews
This review is from: Hellbilly Deluxe (Audio CD)
This disc was BUILT for the dancefloor! Woo! Now, White Zombie were a GREAT party metal kinda band and Rob follows a similar path on his own but it is by no means the same stuff regurgitated. Hellbilly deluxe sees the songs constructed more often with the synths (which were there in Astrocreep too but to a lesser degree) and with a slightly less hardcore attitude to the grooves. This is more easy to pick up and play and rob's vocals are less rap-style than before. On a cursory listen it is just the same idea as before though: you get your gigantic riffs (not QUITE as good as J's riffing on Astrocreep) and your Hammer horror samples but I feel this may be more accessible to music fans who are slightly less metal-inclined. Bottom line is- yep, get it, it's great! But it aint as good as Astrocreep 2000.
2 of 2 people found the following review helpful:
4.0 out of 5 stars
Horror metal with a comical side...,
This review is from: Hellbilly Deluxe (Audio CD)
Ever since the Murderdolls screamed their way onto our stereos, i've been a fan of this sort of metal. ROB ZOMBIE...ok so it's sort of corny, and so is the music come to think of it, but does metal really have to be serious to be good? No. Bands like System of a Down have proved that more then once, and Rob is about to show us the darker side of his talent. Many would argue that he should never have left White Zombie, but Hellbilly Deluxe is his first solo album, and his proved that his a metal genius, and in my eyes is up there with the likes of Scott Hull (Pig Destroyer & AGNB) and Kurt kobain. mainly because he's taken some well known tunes and reproduced them into tracks such as DRAGULA with brilliant lyrics. Ok, so maybe they're not as obscene as Wednesday 13's from the Murderdolls, but when you blast them from your speakers, who cares??!! Make sure you listen to Superbeast...the best track on the whole album!
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