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An apparently senseless death rocks the capital, and Strange finds himself personally involved in a bitter hunt for the killers. As he closes in, Derek finds the very tenets that guide his existence on the line, and only he can resolve a conflict that involves lacerating self-examination. Strange's wrestling with his personal problems is handled by Pelecanos with all the psychological acuity we expect from him, and the set-pieces are dispatched with the panache that is the author's hallmark:
Potter swung the gun so quickly that it lost its shape in the light. He slashed it across the brow of the man, the blow knocking the cap off his head. The man's hand went to his face, blood seeping through his fingers immediately and he stumbled back against the wall. Potter flipped the gun in the air and caught it on the half turn, so that he held it by the barrel. He moved forward...--Barry Forshaw --This text refers to an out of print or unavailable edition of this title.
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This series is proving every bit as powerful as Pelecanos' earlier D.C. Quartet and, while I still long for the return of alcoholic P.I. Nick Stefanos, you have to admire the man for knowing when to leave his characters be. Pelecanos' powers show no sign of diminishing and, as the recent republication of the "lost" novel Shoedog proves, he is pretty much incapable of writing a dud book. His one weakness is that his female characters are not as fully realised as his male protagonists, but this is a book about men involved in violent situations and about male friendships. If you have any interest in US crime writing then this is as good a place as any to introduce yourself to the Peckinpah of crime fiction.
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