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Pope's story and art mesh incredibly well, it would seem weird him working with another writer, (or another artist, even.) The way which Pope draws buildings, and the way he presents this on the page, looks like an Otomo (Akira) piece, or an influence of. Pope creates his own world with Heavy Liquid and is continuing that universe in his new series 100% (which I'm enjoying that little bit more at the moment.)
Fans of Nick Hornby might like this book for the interaction of the characters (or sometimes the lack of) and fans of Blade Runner might enjoy it for the outlook of the future, the buildings, the ideas, the gadgets. I guess what I'm trying to say is, don't dismiss this as a silly "tales of the future" type story, or as a "emo comics for emo boys" esque situation. This graphic novel tells a story, a damn good story that brings Pope's strenghts together in a compelling and orgasmic way.
This futuristic (yet at the same time, realistic setting) turns the piece into a science fiction story, but Pope firmly tells the story about the characters. Which is what he does best. He's a character writer/artist. This book reeks of it.
Set in the near future, the main question in Heavy Liquid is "what is Heavy Liquid?" I'm not going to tell you, but I will tell you that the characters in this story are all affected by this strange substance, part highly addictive drug, part... I don't want to spoil it, but suffice it to say that Pope's concepts are always first rate. As someone else mentioned, fans of PK Dick should take note of this work and read it.
The art is Paul's signature style, completely unmistakably his and no one else's. The lines themselves form beautiful abstract art, in addition to the concrete images they suggest, but his execution is so fluid that nothing is stale or static; these pages rip with dynamics.
All in all, among the very best graphic novels of all time, and considering that it is the work of one man, it qualifies as genius.
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