Be still, my heart...Wanda is back. After a recording hiatus of nearly 20 years, the Queen of Rockabilly returns with a collection of recordings that affirms her place in the pantheon of American music.
The album begins with the title track, an uptempo country number that showcases the often overlooked melodic qualities of Wanda's voice. This toe-tapper sets the tone for a more subdued collection than Wanda's blistering early rockabilly recordings, and introduces the cast of side performers who help to make each song an instrumental masterpiece. Bassist Larry Taylor, drummer Stephen Hodges, and backing vocalist Siedah Garrett lay a solid foundation on the whole collection, setting the stage for the guitar work of Dave Alvin, James Intveld and Smokey Hormel, who also contributes fine pluckin' on the banjo and mandolin.
Psychobilly pioneers The Cramps add their twist to Wanda's classic "Funnel of Love", styling this signature tune without distorting or parodying. The rasp is gone from Wanda's voice here, but the eeriness of Poison Ivy's guitar gives the song all the texture it had the first time around. Lee Rocker and Rosie Flores crank up the honky-tonk of "Woman Walk Out the Door", delivered by Wanda as no other can, walking the line between smitten and empowered with unmatched vocal authority.
As was the case in the 1950's, Wanda delivers her own songs and those written by others in a distinctive and magnificent style. "Mean Mean Man" and Carl Perkins' "Rockabilly Fever" are just as vital and infectious as they were 50 years ago, sung with the conviction that carries a sentence in Cellblock #9. This collection is the perfect complement to Wanda's early work, and to the contemporary works of her many collaborators who trace their lineage to the early days of country and western. That's right, they called it rockabilly long before they called it rock and roll....
- Dante Murphy
www.PortHalcyon.com