- Hardcover: 300 pages
- Publisher: ISIS Large Print Books; Large Print edition edition (Sep 1999)
- Language English
- ISBN-10: 0753158256
- ISBN-13: 978-0753158258
- Product Dimensions: 24.2 x 16.4 x 3 cm
- Average Customer Review: 5.0 out of 5 stars See all reviews (1 customer review)
- Amazon Bestsellers Rank: 5,184,849 in Books (See Top 100 in Books)
Hearing Secret Harmonies (Dance to the Music of Time)
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Review
Like the Afton, Powell's roman fleuve flows gently to its close - this being the twelfth and last volume of the grand design imperceptibly intersected through appearing and disappearing characters from before WW I until now, a very present day. There will surely be all-encompassing critical wrap-ups. (One very magniloquent one has already appeared in England scuttling from Homer to Jane Austen, Zola, Proust, Eliot, James, Gide, Balzac, Stendhal - even Sarraute and Butor.) More importantly, the complete work will now be simultaneously republished which will enable it to be read, as it should be, without the interruption of both years and forgetfulness. This last is by no means as strong a book as its predecessor, Temporary Kings, which took place almost a decade earlier. It is rather meager in span and activity. There are few survivors left - Nicholas Jenkins of course; the American Gwinnett who appeared in the last book; and the lynchpin of the series, the power dealer Widmerpool who has been so humiliated of late and is trying to retrieve his much reduced self through a mystic, hippy commune led by the ominous Scorpio Murtlock. This caravan of cultists is marvelously introduced in the opening scene via Fiona, the Jenkins' niece, seen in her long skirt with her long unwashed feet ("medieval"). So are many of their rituals which leads Powell to add still another sphere to his Music of Time - the gnostic and arcane - and at the dose Widmerpool makes his last, frenetically desperate appearance by the light of the dawn. Time alone will ultimately judge this work which is so civilized, pleasurable and unemphatic in tone - humming with casual talk, speculation, revelation. But how artfully it has created and crossbred discrete worlds - social, artistic, political and now, in the farthest reaches of life, metaphysical - to structure a universe all its own as well as ours. (Kirkus Reviews)
--This text refers to an out of print or unavailable edition of this title.
Book Description
The final novel in Anthony Powell's brilliant twelve-novel sequence, A Dance to the Music of Time
--This text refers to the
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Customer Reviews
Most Helpful Customer Reviews
Format:Paperback|Amazon Verified Purchase
Having picked up several other books in the same series [A Dance to the Music of Time] by Anthony Powell from a local charity shop I could not resist this one when I saw it on Amazon. It is the book which brings the series to a fitting and sometimes sad conclusion, especially the downfall of Kenneth Widmerpool. He deserved everything but his end was tragic. Anthony Powell has worked won ders with this series of books.
Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
5 reviews
Harmonic resonance
21 Nov 2011
Format:Paperback|Amazon Verified Purchase
I read the first eleven of Anthony Powell's twelve-volume sequence of novels 'A Dance to the Music of Time', and was engrossed. Deeply, hugely impressed and engrossed. And then found I'd lost my copy of the twelfth one, 'Hearing Secret Harmonies'. I ordered a copy on Amazon, from the UK to South Africa, and it duly arrived some three weeks later. Good clean second-hand copy (looks like new).
'Hearing Secret Harmonies' is a wonderful conclusion to this English mixture of Balzac and Proust. With a thematic focus on Jacobean drama and occultism, ageing, friendships and betrayals, death, the youth and sexual liberation, the early 1970s (the series begins in circa 1920). I felt after finishing it that I was forlorn, lost, bewildered, forced reluctantly to return to my diurnal world.
I have now ordered Hilary Spurling's companion to Powell's sequence.
As a new novelist myself ('Zebra Crossings, tales from the Shaman's Record' and 'The Zombie and the Moon, more tales from the Shaman's Record' - Jacana Media, Johannesburg and Cape Town, 2008, 2011) I felt that reading Powell taught me a lot about the reflective aspects of writing. Measured prose, slow incremental accumulation of an entire world, informed but unpretentious drawing on a whole wide range of allusions to music, fine art, and literature - and a haunting sense of time passing, memory, change, through two world wars and after. Powell's use A Question of Upbringing: Book 1 of A Dance to the Music of Timeof an anecdotal first-person narrator's voice is marvellously done.
'Hearing Secret Harmonies' is a wonderful conclusion to this English mixture of Balzac and Proust. With a thematic focus on Jacobean drama and occultism, ageing, friendships and betrayals, death, the youth and sexual liberation, the early 1970s (the series begins in circa 1920). I felt after finishing it that I was forlorn, lost, bewildered, forced reluctantly to return to my diurnal world.
I have now ordered Hilary Spurling's companion to Powell's sequence.
As a new novelist myself ('Zebra Crossings, tales from the Shaman's Record' and 'The Zombie and the Moon, more tales from the Shaman's Record' - Jacana Media, Johannesburg and Cape Town, 2008, 2011) I felt that reading Powell taught me a lot about the reflective aspects of writing. Measured prose, slow incremental accumulation of an entire world, informed but unpretentious drawing on a whole wide range of allusions to music, fine art, and literature - and a haunting sense of time passing, memory, change, through two world wars and after. Powell's use A Question of Upbringing: Book 1 of A Dance to the Music of Timeof an anecdotal first-person narrator's voice is marvellously done.
A Mediocre Ending to a Superb Series
29 Oct 2011
Format:Kindle Edition
What ails this last volume is simple: Powell, after having spent nearly 25 years on his ambitious series, no longer knows what to do with his characters. This is especially true of Widmerpool, Powell's power-mad, creepy and ultimately intriguing antihero. Here, in "Hearing Secret Harmonies" we reencounter said Widmerpool as an aspiring leader of a crackpot cult, an amusing but trite end for a pompous Eton pupil, a wunderkind London businessman, a ruthless military officer, a journalist and a Communist spy. Are we really to believe this of one who, for most of his power-hungry life, posed as "another Lord Chesterfield" (Stringham's apt description)?
Jenkins, too, is also a bit of a disappointment. The astute observer loses much of his muscle here, and what we end up with is a rather charming Tory who heaps scorn on the generation of the 1960s as embodied in the person of Scorp Murtlock and in those of his minions. Disappointing stuff from the penetrating Jenkins, a verdict that will, I think, make sense to you after you've completed such delights as "The Acceptance World," "The Kindly Ones" and "The Valley of Bones." With Jenkins, too, Powell has run out of ideas.
That said, read the series!
Jenkins, too, is also a bit of a disappointment. The astute observer loses much of his muscle here, and what we end up with is a rather charming Tory who heaps scorn on the generation of the 1960s as embodied in the person of Scorp Murtlock and in those of his minions. Disappointing stuff from the penetrating Jenkins, a verdict that will, I think, make sense to you after you've completed such delights as "The Acceptance World," "The Kindly Ones" and "The Valley of Bones." With Jenkins, too, Powell has run out of ideas.
That said, read the series!
"A Dance to the Music of Time" really falls apart in the end
28 May 2011
Format:Hardcover
With HEARING SECRET HARMONIES we reach the end of Anthony Powell's 12-novel series "A Dance to the Music of Time", which has followed narrator Nicholas Jenkins and his social circle for over five decades. As the novel opens, we are in 1968 after a gap of several years since the previous book. Jenkins and his wife host a caravan of hippies on their rural property. Widmerpool, whom Jenkins hasn't seen for a long while, returns and is caught up in the counterculture. Ultimately this leads to Widmerpool's downfall and the close of Jenkins' reminisces.
Unfortunately, this novel continues the downward spiral of TEMPORARY KINGS. It is as if Powell had gotten bored with the usual trend of the "Dance" to be centred around dinner parties and inspired by real life events, and so he creates an outlandish plot with a cult leader, magical powers and ritual sex. The sex really gets out of hand, and the hints at necrophilia of TEMPORARY KINGS are nothing compared to what you get here. Also, in early volumes in the "Dance", the presence of a few homosexual characters added realism to the work, but Powell now reveals nearly every male character to be homosexual and bases the plot on this, which rather reminds me of mid-century British humour's excessive reliance on cross-dressing.
The book isn't entirely without merit. Powell wraps up the series by making references all the way back to the first volume, A QUESTION OF UPBRINGING. This has a considerable emotional impact even if the story is really not very good, like the series finales of "Lost" or "Star Trek: The Next Generation". Also, it's interesting to see what Powell felt about the 1960s counterculture. I've enjoyed reading memoirs by major activists of the era like Richard Neville, but now I see an old Tory's perspective.
I am happy that I read the Dance. The bulk of the series is very entertaining, and pushing through to the end didn't require so much extra effort. Still, it's a pity that Powell couldn't keep it together in the end.
Unfortunately, this novel continues the downward spiral of TEMPORARY KINGS. It is as if Powell had gotten bored with the usual trend of the "Dance" to be centred around dinner parties and inspired by real life events, and so he creates an outlandish plot with a cult leader, magical powers and ritual sex. The sex really gets out of hand, and the hints at necrophilia of TEMPORARY KINGS are nothing compared to what you get here. Also, in early volumes in the "Dance", the presence of a few homosexual characters added realism to the work, but Powell now reveals nearly every male character to be homosexual and bases the plot on this, which rather reminds me of mid-century British humour's excessive reliance on cross-dressing.
The book isn't entirely without merit. Powell wraps up the series by making references all the way back to the first volume, A QUESTION OF UPBRINGING. This has a considerable emotional impact even if the story is really not very good, like the series finales of "Lost" or "Star Trek: The Next Generation". Also, it's interesting to see what Powell felt about the 1960s counterculture. I've enjoyed reading memoirs by major activists of the era like Richard Neville, but now I see an old Tory's perspective.
I am happy that I read the Dance. The bulk of the series is very entertaining, and pushing through to the end didn't require so much extra effort. Still, it's a pity that Powell couldn't keep it together in the end.
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