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2 of 2 people found the following review helpful:
5.0 out of 5 stars
Don't let this slip through the net again, 12 May 2004
This review is from: Hawaiian Dick Volume 1: Byrd Of Paradise: Byrd of Paradise v. 1 (Paperback)
It’s a crying shame that this comic didn’t gain the widespread recognition it deserved when first released. However, as the rights have been bought for a film version starring Johnny Knoxville, hopefully some new readers will come looking for it, and set things right. First thing I have to say is that Hawaiian Dick is one of the most beautiful looking comics in some time. Since the artwork is clearly inspired by 1950’s postcards from Hawaii, every frame has lush greens of foliage, vivid red and rich blacks of the protagonists’ clothing, and creamy skin tones of the love interest, giving everything an idyllic look. Of course, this was the intention, and it works very well. Of course, visuals don’t make a comic on their own, so it also helps that the writing is top notch. In the wrong hands, the story could have failed – since it is American cop goes to Foreign Culture, and has a local keep him acquainted with tradition and the locals (Rush Hour springs to mind…) – but it is well handled and is never an issue. Hawaiian culture and mythology gain a mystique within the pages of the comic, and seep into the idyll that is presented in the first few pages, yet never overrun it. It also helps that there are explanations for the customs, and translations for the Hawaiian dialect given, so not to alienate any readers. Lastly, the characters also come across as having more life breathed into them than they would in less able hands due to the writing and dialogue, again relegating any fears of cardboard cut-out plotting to the back of your mind, soon to be forgotten entirely. Even if, as said before, they have been written a thousand times before, they all have a certain life, and edge, to them which lifts them above any doubts. As I said, if there is any justice, people will seek this out once word gets around of the film, rather than wait for the obligatory reprint at the time of release. This is a comic that deserves to be discovered and enjoyed, which is a sign of any great comic.
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5.0 out of 5 stars
Hawaiian Dick - Byrd of Paradise (Spoiler free), 3 Feb 2010
This review is from: Hawaiian Dick Volume 1: Byrd Of Paradise: Byrd of Paradise v. 1 (Paperback)
I got this months ago and have decided to review anything I re-read as well as new comics I get this year (so bear in mind I have had this a while).
This paperback is the standard size of trades/graphic novels with nice thick paper. It collects the first 3 issues of Hawaiian Dick, the miniseries 'Byrd of Paradise', along with plenty of extras. Each issue is proceded by the original issue cover and a colour only (no pencils or inks) picture of one of the three main characters. I got this last year so it is the third printing. It has a different cover to the one pictured, which was for the first printing (the first printing cover is included inside the book). The extras are really good. You have a three page prose story set way before the first issue, two 1-page and five 1/2-page strips that are set in the Hawaiian Dick 'continuity' and really help flesh out the characters a little. You also gets sixteen pages of character designs with commentary in the form of e-mails between the two creators. You have an introduction and an afterword by different people (not the creators), some full size unused covers; eighteen (9 per page) drafts of covers, a few full page pin-ups by different artists and finally a cocktail menu (10 cocktails over five pages). Each cocktail is accompanied by an illustration (by Steve Griffin) of the characters. I really think these extras (as I mentioned some are 'in continuity' and flesh out the characters) are interesting and at least count as another issue if you think the price is quite steep for 3 issues.
The art is absolutely gorgeous. It's all by Steve Griffin (pencils, inks and colours) and although the pencils/inks are good, it is the colours that make the art stand out. I believe the artist has been nominated for an Eisner award for his colouring three times, and he has only coloured about 12 issues over 7 years. You should be able to find previews of it online; it looks even better on the page though. There is plenty of opportunity to use the colours too, with plenty of the characters wearing colourful clothes; it is set in Hawaiiai after all. At certain times the story calls for a darker palette and here Griffin uses a lot of black. I don't like the look of these sections as much as the lighter settings so I think the colouring is a lot of the attraction of the artwork.
The story is good. There are a couple of minor 'convienient' plot points and I still am not quite sure exactly how the main character got the case in the first place, but nothing that detracts from the enjoyment at all. I only noticed them after rereading a few times. The dialogue, pacing and tone are really good. By the end of the first issue you are rooting for the main characters and want to know what happens next. It is a really good read and worth reading again. The arc is quite distinct (being a mini-series originally) but certainly leaves it open for sequels, which there is 1 already and hopefully another coming out sometime this year).
One thing: in several reviews etc. the series got described as 'noir' which makes me think of bleak and depressing. Although there is a little of that (when the art goes blacker), I felt most of the book was, in tone rather than plot I suppose, quite lighthearted, which I think is to do with the bright vibrant colours as much as the writing.
On the star rating: VERY roughly I consider 3 stars = quite enjoyed but not enough to get sequels, 4 stars = enjoyed enough to get sequels and 5 stars = One of my favourites (Criminal, first half of Bendis' Daredevil etc). While I was writing the review I had 4 stars ticked, but to be honest I can't think of any reason not to give this volume 5 stars so I will change it now... I really did enjoy it enough and I have reread it a lot considering I only got it late last year. I want to be clear that this review is only of the first volume. I would rate the second volume very differently.
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3 of 3 people found the following review helpful:
3.0 out of 5 stars
good start: nice atmosphere, era and noir elements, 22 Jan 2005
By speed - Published on Amazon.com
This review is from: Hawaiian Dick Volume 1: Byrd Of Paradise: Byrd of Paradise v. 1 (Paperback)
I picked this Trade PaperBack up to read on a plane. I enjoyed it a great deal and really got the feel for a 50's Hawaii. I love noir and having it mixed with Hawaii and voodoo was a great choice. I just felt the story was too short and underdone. The problems I had were: 1. I was just getting into the story and then all of a sudden it finishes. 2. the finish is not equal to the build up. 2a. We have characters built up and then without as much as a whimper they are gone. 3. A few story lines just seem to resolve themselves. 4. A few things were introduced that never really became important and 5. a back story that should have been incorporated into the comic instead of in story form at the end. ( I don't want to mention specifics so as to not ruin it for anybody). BUT I did enjoy it and will get the second one when it comes out. When it finished I wanted to read more stories from this world Moore and Griffin have created. Hopefully it will be a bit more fully formed than this first fun outing. The additional section on the artist and writer going thru character designs was excellent.
1 of 1 people found the following review helpful:
5.0 out of 5 stars
Beautiful Art and a Great Story!, 19 Jun 2008
By Mel Odom - Published on Amazon.com
This review is from: Hawaiian Dick Volume 1: Byrd Of Paradise: Byrd of Paradise v. 1 (Paperback)
I love the whole premise behind HAWAIIAN DICK, the ongoing 1950s private eye comics set in Hawaii. The noir feel of the storytelling and characters is dead-on. The ex-pat main character, Byrd, is well-drawn and has a lot of emotional baggage he's carrying that only gets opened up in this first graphic novel.
HAWAIIAN DICK: BYRD OF PARADISE gathers the first three issues of the comics written by B. Clay Moore and drawn by Steven Griffin. The story immediately seized a lot of attention when it first came out because of the mixture of old and new.
Moore has a great grasp of the story and noir must run in his veins. The set-up for the story and the execution hits all the cornerstones of the venue, and Byrd's backstory comes as a natural progression of the case he's on. Moore's development of the story "reads" like a movie. He stays off the page and out of panels unless narration or dialogue is really needed. Action tells this story as well as anything, and readers often forget how much a good writer can do with a few panels of delineated action. Moore has a fantastic grasp of the concept.
As good as Moore's story is, though, Griffin's art emphasizes everything about. Griffin's use of color - bright and vibrant, then dark and moody - sets the tone for the scenes, the characters, and the atmosphere. Through color alone, Griffin could have brought home every emotion that he needed to in order to convey the story.
However, he doesn't stop there. He gives us well imagined characters and body posture. Byrd just wouldn't have been the cocky, worldly private eye without the five o'clock shadow and Hawaiian shirt. Mo wouldn't have been the homicide cop without the immense stature, the clean-shaven appearance, and the immaculate black suit.
The artwork is loose and tight as needed. Sometimes panels only feature characters in action. Then there are other times that the background is developed in depth. All of it looks painted, with lots of contrast and rounded shapes that flow naturally to the eye. After you read the graphic novel, don't be surprised to find yourself leafing back through the pages just to see the artwork again.
The story is pedestrian by all outward appearances. Byrd gets handed a case to find a car, but he's getting paid more for the recovery than the car is worth. Immediately suspicious, Byrd confronts the man hiring him and finds out the car has a cargo that belongs to drug kingpin, Bishop Masaki. This is the kind of story a noir fan would expect to find laid at the feet of Marlowe, Spade, or Hammer. Moore throws in an extra wrinkle by including Hawaiian voodoo and zombies. The horror aspect never overshadows the private eye story, though. Rather, it complements it and gives the reader a little extra zest that gives the appearance of being something brand new.
I love this story. I've read it a few times now and enjoy it each time. It's simple and structure, and delivers everything I'd want in a noir adventure. Plus the zombie creep factor and a few twists and turns I didn't see coming. The 1950s feel makes a big difference too, like our heroes are just a little more exposed than they would be in the present day and age.
The graphic novel contains about 50 pages of extras, including sketches, notes, and script. HAWAIIAN DICK: BYRD OF PARADISE is a great entertainment and behind-the-scenes bargain. The property has also been licensed for movie development and you can see how a film would flow from these pages. This is a crackerjack read.
1 of 1 people found the following review helpful:
5.0 out of 5 stars
Very well done, 23 Aug 2007
By Rock-n'-roller - Published on Amazon.com
This review is from: Hawaiian Dick Volume 1: Byrd Of Paradise: Byrd of Paradise v. 1 (Paperback)
Even though this isn't the kind of story I generally read, I found it a joy. This comic entirely exceeded my expectations. The fictional\fantastical elements are totally different from anything that I have read, and are nicely combined with the real world.
The art is beautiful, the story and plot are very well devised, and executed, and the characters dynamic. I highly recommend this, especially if you are interested in Hawaiian legends.
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