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22 of 22 people found the following review helpful:
5.0 out of 5 stars
An amazing album - like nothing else you've heard., 4 Dec 2002
I felt this CD deserved a slightly more in depth review than it has received so far, so here goes...With this album Poe has taken a big step forward from her debut album 'Hello', both lyrically and in production values she has moved to a new level. This is a record like no other I've heard from any independent female singer/songwriter in the alternative/pop/rock arena. The songs range from loud, brash, Garbage style rockers featuring programmed drums and crashing guitars, through atmospheric trip-hop/electronic pop to quiet, introspective ballads. You can hear influences as diverse as Tori Amos, Aimee Mann and Kid A era Radiohead in these songs, but served to you in a new, stylish and very original way. This IS a concept album of sorts. It was written and recorded in parallel with her brother, Mark Z. Danielewski, writing his extraordinary novel House of Leaves and references many of the themes considered within, and imagery generated by the novel, but does so without creating any sort of interdependency. Both novel and album stand up well on their own - there is no need to read the book to appreciate the album - but if you get time to check out House of Leaves you will discover an extra layer of meaning contained within Haunted, (as well as having read a very, very unusual book indeed.) The songs themselves take you on a deeply personal journey of self examination in which Poe confronts different aspects of her own personality and of her relationship with her recently deceased father - the acclaimed lecturer and documentary film maker Tad Danielewski. That may sound a little ominous, but believe me this is not a depressing album. In fact the overall feeling is that you are listening to snippets taken from the diary of a very confident, complex and intelligent woman, turned into songs. Interspersed throughout this CD are brief samples taken from answerphone messages Poe left her mother, recordings of Poe as a child and old recordings of her father. These, rather than interrupt the flow of the album, help to link the songs and add an extra layer of texture and atmosphere to the album. Poe has used these and other samples to create a sort of aural collage which adds yet another dimension to her music. Her vocals are great. She has a strong clear voice and has used it's full range of emotion and feeling during the recording of these songs. Powerful, sensual and challenging on tracks like 'Walk The Walk', 'Control' and 'Not A Virgin', but softer and more thoughtful on '5.5 Minute Hallway', 'Spanish Doll', 'Amazed' and 'If You Were Here' Overall this is a complex and intelligent album from Poe. It will not be to everyone's taste, but if you are looking for something totally original and unique then you may just have found it. For me it was a real pleasure to come across an artist that has managed to use the modern recording process to create a piece of musical theatre that is this sophisticated, yet still has a feeling of honesty. Stands head and shoulders above most of what's on offer today.
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