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"Readily accessible to general readers and will enthrall library patrons. . . . Highly recommended for all public and academic libraries."
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The female pharaoh Hatshepsut reigned for nearly twenty years during Egypt's early New Kingdom in the fifteenth century B.C. First acting as regent for her young nephew/stepson Thutmose III, she eventually assumed the title of king and exercised the full powers of the throne as senior co-ruler. In accordance with Egyptian tradition, Hatshepsut was often depicted as a male king. After her death, however, monuments bearing her image were ruthlessly defaced and her name was erased from historical accounts. Hatshepsut's rise to power and the nature of her kingship have long been debated by scholars. This fascinating period, one of immense artistic creativity, is illuminated by this volume's rich presentation of monumental royal sculpture and reliefs, ceremonial objects, exquisite personal items for everyday use and dazzling jewellery. Essays focus on influences from the neighbouring Near East, Nubia and the Aegean; the innovative architecture built by Hatshepsut; powerful figures in the royal court during her reign; archaeological finds from this period and mysteries surrounding the destruction of Hatshepsut's statues and the obliteration of her name. The first in-depth treatment of the subject, Daughter of Re is an important investigation into the impact of Hatshepsut's reign on the history, culture and artistic output of Egypt. Exhibition schedule: M. H. de Young Memorial Museum, San Francisco, 15 October 2005 to 5 February 2006; The Metropolitan Museum of Art, New York, 21 March to 9 July 2006; Kimbell Art Museum, Fort Worth, 24 August to 31 December 2006.
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3 reviews
21 of 21 people found the following review helpful
Magnificent collection of essays and photographs.
30 May 2006
Format:Hardcover
This is one of the best books that I've seen on the art, symbolism and life in Ancient Egypt. Set within the reign of Hatshepsut, a royal wife and queen who transformed herself into Pharaoh, it looks at the lives of royal women from the images and personal artifacts that have been left behind.
Each chapter takes a look at aspects of Hatshepsut's reign and life, as well as the architect Senenmut, who may or may not have been her lover, but was also her most trust confidant -- and to whom she turned the education and care of her daughter, Neferure. One section that was of particular interest to me were the displays of women's lives and those of children, a topic that usually gets overlooked. There are exquisite pieces of jewelry, goldwork and tiny statues -- one of a small child, no longer than a pinkie finger, and holding an unbloomed lotus blossom, was particularly poignant. Along with precious objects there were also everyday items from mirrors, toiletry objects, small jars used to hold cosmetics and oils, to boxes and games, and several very fragile pieces of furniture of exquisite craftsmanship. All of these are shown in the catalog, each one with a detailed description and what it was meant to be used for.
Another aspect that I really enjoyed was how Hatshepsut changed the artistic styles that were in use in Egypt, and how it influenced later depictions of rulers. Icongraphy that shows her wearing male attire, false beard and holding symbols of regal authority are throughout, as well as the unusual temple that she designed and built at Deir El-Bahri where she intended to be worshipped and remembered throughout eternity.
The essays are clear and managed to be free of most jargon which would drive away most armchair archaelogists and non-specialists. The book is laid out in beautiful detail and design, giving plenty of room for the reader to savor each object and the type and layout in a pleasing format. Despite the hefty cost at 45$US for the paperback, and 65$US for the hardback editions, it is well worth the price.
In short, if you can't get to one of the locations where this exhibition is showing, this massive and exquisitely produced catalog is the next best thing. The photographs and drawings are very crisp and clear, the writing is informative, there are extensive notes and it provides a lovely experience for anyone interested in the power of women in the ancient world, or Egypt at the height of power and conquest.
For those who are interested in such things, this exhibition was shown in San Francisco in late 2005/early 2006, will continue at the Met until August 2006, and will continue on to the Kimbell Art Museum in Fort Worth, Texas from 24 August to 31 December 2006. I do suggest that if you can, do try to see this. It's worth it.
Highly Recommended.
Each chapter takes a look at aspects of Hatshepsut's reign and life, as well as the architect Senenmut, who may or may not have been her lover, but was also her most trust confidant -- and to whom she turned the education and care of her daughter, Neferure. One section that was of particular interest to me were the displays of women's lives and those of children, a topic that usually gets overlooked. There are exquisite pieces of jewelry, goldwork and tiny statues -- one of a small child, no longer than a pinkie finger, and holding an unbloomed lotus blossom, was particularly poignant. Along with precious objects there were also everyday items from mirrors, toiletry objects, small jars used to hold cosmetics and oils, to boxes and games, and several very fragile pieces of furniture of exquisite craftsmanship. All of these are shown in the catalog, each one with a detailed description and what it was meant to be used for.
Another aspect that I really enjoyed was how Hatshepsut changed the artistic styles that were in use in Egypt, and how it influenced later depictions of rulers. Icongraphy that shows her wearing male attire, false beard and holding symbols of regal authority are throughout, as well as the unusual temple that she designed and built at Deir El-Bahri where she intended to be worshipped and remembered throughout eternity.
The essays are clear and managed to be free of most jargon which would drive away most armchair archaelogists and non-specialists. The book is laid out in beautiful detail and design, giving plenty of room for the reader to savor each object and the type and layout in a pleasing format. Despite the hefty cost at 45$US for the paperback, and 65$US for the hardback editions, it is well worth the price.
In short, if you can't get to one of the locations where this exhibition is showing, this massive and exquisitely produced catalog is the next best thing. The photographs and drawings are very crisp and clear, the writing is informative, there are extensive notes and it provides a lovely experience for anyone interested in the power of women in the ancient world, or Egypt at the height of power and conquest.
For those who are interested in such things, this exhibition was shown in San Francisco in late 2005/early 2006, will continue at the Met until August 2006, and will continue on to the Kimbell Art Museum in Fort Worth, Texas from 24 August to 31 December 2006. I do suggest that if you can, do try to see this. It's worth it.
Highly Recommended.
16 of 17 people found the following review helpful
The Mysteries and Secrets of Ancient Egypt Continue to Emerge
29 Mar 2006
Format:Hardcover
Once again the Metropolitan Museum has enriched the history and art of Egypt books with the publication of this very impressive catalogue that accompanies the exhibition 'Hatshepsut : From Queen to Pharaoh'. While many other museum exhibitions have been inundated with people attending the King Tut behemoths, this exhibition focuses on Hatshepsut, daughter of King Thutmose I, and wife and half-sister of King Thutmose II, who in the mid-15th century BC gradually acquired kingly status and power for herself. Her reign was twenty years in length as a woman pharaoh.
The catalogue that accompanies this traveling exhibition is beautifully designed and is full of extant drawings and objects that demonstrate her influence on history, culture, monumental art, and architecture of the late 17th and early 18th Dynasties. The writing is of the highest order and divides the book into "Setting the Scene," "Hatshepsut and Her Court," "Hatshepsut's Building Projects," "Decorative Arts," "The Proscription," and "The Aftermath." In addition to the written information, the catalogue has superb reproductions of jewelry, pottery, furniture, reliefs, and statuary. Then, sadly, the writing includes detailed descriptions of the demolition and desecration of the important monuments from Hatshepsut's reign.
Here is a moment in history brought to life by a group of fine curators and writers, suggesting that as much as we think we know about the past, there are always surprises to be brought to our attention by the museums of the world. A fine book, this. Grady Harp, March 06
The catalogue that accompanies this traveling exhibition is beautifully designed and is full of extant drawings and objects that demonstrate her influence on history, culture, monumental art, and architecture of the late 17th and early 18th Dynasties. The writing is of the highest order and divides the book into "Setting the Scene," "Hatshepsut and Her Court," "Hatshepsut's Building Projects," "Decorative Arts," "The Proscription," and "The Aftermath." In addition to the written information, the catalogue has superb reproductions of jewelry, pottery, furniture, reliefs, and statuary. Then, sadly, the writing includes detailed descriptions of the demolition and desecration of the important monuments from Hatshepsut's reign.
Here is a moment in history brought to life by a group of fine curators and writers, suggesting that as much as we think we know about the past, there are always surprises to be brought to our attention by the museums of the world. A fine book, this. Grady Harp, March 06
11 of 13 people found the following review helpful
Catalog of the Exhibit Regarding a most unusual woman
12 April 2006
Format:Hardcover
Think of early Egypt and you think of King Tut and Cleopatra. Those two, however, are not the sum total of Egyptian history. This book is basically a catalog of the collection regarding Hatshepsut a most interesting woman. She was the daughter of a king, and was married to her half brother. Upon his death the kingship transferred to his son by a secondary wife with Hatshepsut as regent for her nephew. Later she became co-ruler and king in her own right. Got all that?
The collection, made over many years included numerous pieces that were deliberately smashed about twenty years after her death. Because such fragments were not of value they waited until recent times when they were patiently assembled into the statues that they are today. In addition the collection contains hundreds of objects produced during her reign. The items are described by some twenty-five noted Egyptologists in addition to the three authors.
The book is of large format and profusely illustrated with perhaps 400 pictures, about half of which are in color. This book will remain after the exhibit is gone.
The collection, made over many years included numerous pieces that were deliberately smashed about twenty years after her death. Because such fragments were not of value they waited until recent times when they were patiently assembled into the statues that they are today. In addition the collection contains hundreds of objects produced during her reign. The items are described by some twenty-five noted Egyptologists in addition to the three authors.
The book is of large format and profusely illustrated with perhaps 400 pictures, about half of which are in color. This book will remain after the exhibit is gone.
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