Emily's debut album, The Glamoury, was one of my favourites of that year. Her second offering continues the same type of disturbing fantasy themes, dwelling on swans and lullabies this time. The opening track, Hatchlings, tells the story of Leda, and her 2 sets of twins in the form of swans hatched from eggs. Silver Swan is based on a madrigal sung beautifully with Lucy Farrell. Lullaby fragments include Hushabye Birdy and Black Sheep. There are 2 songs that are inspired by Angela Carter story's, Hinge of the Year a more contemporary tale based around an intoxicated New year, and Ash Girl tells of a lost child helped by a dead mother. Macabre images with memorable lyrics run through the album, such as the opening to Sleeping Beauty, " I break my finger just to see three drops of blood that tell me I'm not sleeping". Hollin reflects the love of the joys of nature, with some new verses added to an old song. Emily takes lead vocals, sometimes with a "little girl" voice, playing concertina, banjo and ukele. She is joined on the album by Lucy Farrell on harmony vocals,viola and saw; and Rachel Newton on harmony vocals together with harp and fiddle. Many of the compositions are original songs apart from the lullaby extracts, with a cover of the traditional Old Mother Eve,a subversive retelling of the biblical Adam and Eve story. There are special guest spots by Jonny Kearney on guitar, Will Scrimshaw on percussion, ,Lucy Deakin on Cello and Alasdair Roberts on guitar and vocals. Overall, I found this was not quite as immediate as her debut, but the songs grow on you with repeated plays. She has come up with an excellent strong second album cornering a niche of wierd fantasy folk songs, with memorable lines that stay with you. The multi- tracking of vocals at times can be spine tingling , and it is distinctly different.