The thesaurus is not needed to read this book, but to describe Malouf's work. There is certainly no single term that can encompass his superb writing abilities. "Opulent" might cover his descriptive powers, but fails to address the strength of Malouf's chronicle of Frank Harland. "Gripping" isn't appropriate to a life so realistically portrayed - with its tumultuous events mixed with the mundane. Artist Frank Harland is anything but mundane, however. Raised in a rural, hilly environment, Harland is buffeted by lasting poverty, overborne by deep loyalties to father and brothers, never losing sight of the meaning of "place." That place is the one-room house of his birth. No matter how far he strays from that locale, it haunts his life and his paintings. In the end, he confines himself to the "Half Acre" in solitary exile. What the thesaurus fails to convey for the reviewer, Malouf's own words will keep you embedded in this real life story.
This early book presages why many awards are granted Malouf for his writing. He was the first winner of the IMPAC award, the richest in publishing. The story of Frank Harland captures the reader from the first page. His father, an indolent dairy farmer, imparted a sense of story in Frank from his earliest days. He applies his learning to drawing instead of text, giving a fresh image of his home and its people throughout his life. Affected by the powers experienced in the hill country, the various intensities of light and shadow, the wonder-generating storms that beset the hills, the flora and fauna encountered, he struggles to impart his feelings to his art. Using any available medium, Frank paints on wood, cardboard panels, paper or whatever is at hand. The work gains wide circulation, almost unknown to Frank. Success and fame are not his aim, however, but getting through life remains the dominant theme throughout this work. In the background, he remains beset by "place," which is translated into spending his earnings on enlarging his father's land holdings.
Malouf's great strength is in characterization. Every person in this story is vividly depicted, Frank, father Clem, Tam the stepbrother and Phil the lawyer. Would you like these people? It's doubtful. Frank, caught up in his art, is slovenly, his various residences a chaos, his appearance ragged. Phil is hesitant, charmless and limited in scope. Little wonder he remains unmarried throughout his life. There is little to attract in any of these people. Still, Malouf manages to portray them sympathetically. His prose keeps you attentive, following their fates, no matter how distasteful their personalities might seem. It is Malouf's honed skills that keeps this book timeless. [stephen a. haines - Ottawa, Canada]