A riveting read from start to finish, from small town Texas via the road to Nashville and out to the world, degradation through heroin and crack, recovery against the odds, incomprehensible loyalty from abused family, lovers, band members, wives and friends. Love of the man does not obscure frustration and condemnation for his at times appalling behaviour. Through it all comes his sincerity, his liveliness and charm, his wilfulness and sheer force of personality. It's a long ten years before Steve makes the grade with Guitar Man, already a closet heroin taker, then a thrilling razor edge crash through the glories of Exit 0, Copperhead Road and Hard Way, followed by a harrowing descent into social obnoxiousness and wasted talent. The music is well described and related to his main influences and those country stalwarts against whom his style was opposed. In his studio techniques and treatment of his bands and relationships with the music business, I was reminded of similar stories of egotistical geniuses such as Neil Young and Bob Dylan. Perhaps you have to be totally selfish at times to nurture genius. The force of his personality and humanity shines and rages out of the pages. Perhaps more could be made of Jerusalem, in my view his greatest studio album to date, but it's right at the end of the book, so a mere coda to the central tale. Once you've read this, I'd be surprised if you didn't want to listen to every record he's made and you wouldn't be disappointed.