Dan Simmons told an interviewer that he created his new private eye hero Joe Kurtz as an homage to the Parker novels of Richard Stark (aka Donald Westlake.) He wanted "a protagonist so mean that no one, not even his mother, could love him," Simmons said. But I suspect that the real reason he called his hero Kurtz was so that he could have an equally mean black killer say at one point (much to the delight of fans of Joseph Conrad's "Heart of Darkness,") "Mistah Kurtz, he dead." There are lots of inside, vaguely literary jokes in Simmons's dark but also oddly jaunty and cinematic story, set among the surly and largely unloved denizens of Buffalo, N.Y. After a former prison colleague turned homeless philosopher suggests that the works of Homer might help Joe plan an upcoming attack on a local crime family, Simmons tells us, "Kurtz had not gotten the idea for the diversion from the Iliad. But Pruno's suggestion of referring to books had reminded Kurtz of a trashy espionage paperback that had made the cellblock rounds at Attica. Something about Ernest Hemingway running around playing spy in Cuba during World War II..." The book in question is, in fact, Simmons's own "The Crook Factory..."