Sheffield dj Tom Jenkinson (Squarepusher) is arguably the foremost drum'n'bass artist whose over-riding interest is jazz-rock. This is a knowledge base that informs his compositions towards the complex as opposed to the facile and sterile aspects that typify much of the D&B genre. Jenkinson's compositions constitute a wild assembly of manic breakbeats, spirited eletronica and disjointed samples.
'Hard Normal Daddy' (1997) is arguably the best of his works. It is an album that sails full-throttle towards jazz fusion and melodic synthesizers. 'Coopers World' is a supersonic slab of melodic keyboards, funky guitar, bass and syncopated moves which gave birth to a new genre - 'drill and bass'.
In tracks such as 'Rustic Raver', 'Fat Controller' and 'Male Pill Part 13', drum programming becomes an 'object' as opposed to a 'subject' in which the music revolves around the bass and electronic keyboards. These are the music equivilents of abstract paintings, rather than manic dancefloor explosions. Imagination and a sense of humour permeate these pieces (especially 'Chin Hipopy') in the manner of futurism and dadaism.
'E8 Boogie' is characterized by fluid jamming that hints at progressive-rock, whilst 'Beep Street' is reminiscent of the surreal, spacey and quasi-psychedelic ambience that permeates the first album. The 'musique concrete' effects of a creaky door add to the overall effect.
One of the highlights of the recording is the touching 'Papalon' which incorporates bassoon and vibes within a minimilist soundscape that echoes Terry Riley.
'Hard Normal Daddy' is an outstanding achievement.