"Harbour of Tears", Camel's 12th album (and the sixth released on the Camel Productions label) represents yet another remarkable change of mood, tone and pace from both what had come become before and what was to follow. Sandwiched between the epic "Dust and Dreams" (1991) and the brooding "Rajaz" (1999) this is possibly Latimer's most intimate and soulful creation in Camel's history.
Produced by Andrew Latimer and Colin Bass, with lyrics by Susan Hoover and finally released in 1996, there is no mistaking a deep sense of personal attachment and commitment throughout every melody and every beat of the story which Latimer unfolds before us. The 'Harbour of Tears' refers to Cobh Harbour, a deep water port in County Cork, Ireland, which became so-called because it was the last sight of Ireland - and more often than not family, lovers and friends - for hundreds and thousands of people who left on ships for unknown shores. It is also no coincidence that the album was conceived when Latimer had discovered connections in his own family history to Ireland and the events which took place during the times captured within this story.
And what a story it is. If 'Dust and Dreams' conveys the intense driving power and energy of Steinbeck's 'Grapes of Wrath' story, 'Harbour of Tears' conveys the intense, heart rending sensitivity of haunting emotional melodies, the forlorn sound of ghostly Irish arias, weeping guitar work soaring above melancholic keyboards and traditional instruments and a heartfelt reaching out for the lives and people this story is all about.
John Xepoleas on drums is almost redundant; it's just not that kind of album. The heavy rhythmic work is done by the acoustic instruments - Latimer majestic on guitars, flute and penny whistles, Colin Bass and David Patton sharing bass guitar duty,supported and uplifted by Mickey Simmonds on keyboards. Around them is assembled the uniqiue contributions of Neil Panton on oboe, soprano sax and harmonium, Barry Phillips on cello, and Karen Bentley and Anita Stoneham on violins. To crown it all is the amazing voice of Mae McKenna on capella vocals - the first and last thing you will hear on this album, along with the sound of the sea itself.
The combination of all these factors creates an album which is truly beautiful in its power to captivate and to move, which digs deep to convey the emotional ferocity of enforced family separation and the break up of relationships, the magical infusion of traditional Irish rhythms and sound and an effort to remain faithful to the story of what happened in the Harbour of Tears. This is Latimer at his very best, wearing his heart on his sleeve and inviting you to join him on a journey into history and into the lives of real people who lived and suffered in extraordinary circumstances. It feels totally different to every other Camel album - and I encourage any one to become immersed in its melodic intimacies and to lose themselves to the creative wonders this album manages to produce.
To be enjoyed, to be savoured and to be revisited again and again.