Happy Together [VHS] [1998]

Though not the hit in Europe or the US that it could have been with the proper marketing and distribution (that was left for In The Mood For Love, an equally beautiful if less heartstopping feature), this film is a true classic and deserves a shot from all who love the cinema.

Some may find it lacking, but I cannot picture a finer film - and since it is my profession to picture exactly that, I hope it is high praise indeed.

The cinematography creates an atmosphere of what the director thought Argentina was like. It is not wonderfully glossed-over with sparkling shots of the two men, quite the opposite - it shows them at their worst when they are with each other but it is through this, that I think, the two men come out at their best because this is the side of people we never see, and the fact it's coming out to both of them shows they have reached a very real level of intimacy.

The main character 'fei' or 'yieu fei' is probably the more dominant character although he does end up indulging the other character 'wing' or 'bo wing' - who keeps leaving him and reappearing again throughout the film. From boredom to despair, to displeasure to illness (or injury) 'bo wing' always comes to 'yieu fei' and 'yieu fei' always takes him back. No matter how hard he knows it'll be when 'bo wing' will eventually leave, or how hard he has to work to keep him happy - he does it anyway. It is not in this that I think the greatest part of the film lies.

Their dialogue which ultimately define the dynamics of their relationship is where I think the core of the magic of the film happens. In my opinion, being born from a half-Cantonese/Szechuanese background in Scotland I understand genuine Cantonese dialogue, culture and behaviour. This film provided just that, only between two gay men. I would not say that the dynamics were such as that between a man and a woman, but there is definitely a sense of one having power over the other. Although ironically, Bo Wing seems to have the most power has he's the one who seems to have the right to leave and come back whenever he wants. The dialogue is extremely, even overly, flip by British standards and everything they say to each other is extremely heavy-handed. They never say anything directly but prefer to show their feelings through what they're not saying and actions highlighted by the film. e.g. Bo Wing staring at Yieu Fei when he's sleeping.

I am not saying that Cantonese people have a problem showing their feelings, but that this is the genuine way in which they share intimacy; in showing each other their best and worst parts without any social discipline to follow. It's hard to describe but even if you don't understand Cantonese you'll follow what I'm saying once you see the film.

Although the bulk of the film was amazing in my opinion, with the complementary music at the background which seems to match the unhappy background exactly - either ironically or exactly, and also the great cinematography from the quotidian scenes of everyday life in Argentina to quotidian scenes of 'Yieu Fei' and 'Bo Wing' - I wasn't that happy with the ending.
It felt a little contrived as almost all arthouse movies end unhappily and this just felt like it was following the norm. However it did make sense as 'Yieu Fei' always talks about going back, and the audience does understand why from the treatment he receives. Maybe I just wished for a happy ending as they seemed to share real intimacy you just don't find in most places these days.