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It is hard to believe that this film began its life as the spare-time project of 18-year-old Kevin Brownlow, a film enthusiast working in the cutting-room of a small London production company, and his 16-year-old schoolboy friend Andrew Mollo, who had a passion for military history and a collection of old German uniforms and regalia. Starting without a budget, using a borrowed 16 mm camera, the two doggedly pursued their dream of completing the project for almost eight years, finding actors, actresses, sets and backing as they went along.
This is a low-key, reflective war drama, which follows its central character, an Irish- born district nurse working in a village near Salisbury, through the horrors of a partisan ambush that goes wrong, to a chilling Nazi-dominated vision of London, where she finds herself assimilated into the highly political "Immediate Action Organization" and receives her "political re-education", on to a rural medical centre specializing in euthanasia for "undesirables", through to the final chilling irony of "liberation" and the wholesale slaughter of "collaborators".
The most famous sequence in the work is a six-minute scene in which genuine Neo- Nazis expound their ideas. The Directors were required to cut this sequence at the behest of its first distributor, United Artists, but it has now been reinstated.
I found this film disturbing, unsettling, unforgettable. The scale of the achievement involved in the creation of a work of this quality from such humble beginnings can hardly be overstated.
Well worth viewing.
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