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Hanson: Symphony No. 4/ Symphony No. 5 (Naxos: 8.559703) CD

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Product details

1. Symphony No. 4 Requiem - Seattle Symphony Orchestra
2. Symphony No. 5 Sinfonia Sacra - Seattle Symphony Orchestra

Product Description

Product Description

Seattle Symphony - Gerard Schwarz, direction


Howard Hanson (1896-1981) is probably best remembered as one of the US's most important music educators he was head of the Eastman School of Music in Rochester, NY, for 40 years. But he was a prolific composer, too, with an output that included seven symphonies. All were unashamedly post-Romantic in style and the two here, part of Gerard Schwarz's fine Hanson cycle with the Seattle Symphony, are couched in a language somewhere between Sibelius and Rachmaninov. Hanson apparently regarded the Fourth, (1943), composed as a requiem for his father, as his finest work, while the single-movement Fifth, completed 11 years later, was subtitled Sinfonia Sacra. Both are imposing, economical works with an austerity that emphasises their debt to Sibelius, and there's an equal directness about the two other works on the disc the 1956 Elegy, in memory of the conductor Serge Koussevitsky, and Dies Natalis of 1967, composed to mark the 100th anniversary of Nebraska, Hanson's home state. *** --Guardian,26/01/12

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7 of 7 people found the following review helpful
A Howard Hanson Symphonic Cycle 17 Mar. 2012
By Robin Friedman - Published on
Format: Audio CD Verified Purchase
The American composer Howard Hanson (1896 -- 1981) composed seven symphonies in an openly unabashed romantic idiom. Although his music is out of fashion, it has been well served on recordings. In the late 1980s- 1990s, Gerard Schwartz and the Seattle Symphony recorded the symphonies on the Delos label. The budget-priced Naxos label has reissued the Hanson cycle on its "American Classics" series, making Hanson readily accessible to listeners wanting to get to know his music. Hanson's writing has not had a great deal of appeal for me over the years. But I am enjoying this set and expanding to a degree my ability to appreciate a style of music that does not initially attract me.

This CD includes Hanson's fourth and fifth symphonies together with two other orchestral works. The works share a religious, elegaic theme. Hanson grew up in the small midwestern town of Wahoo, Nebraska, where he heard and took to heart the hymns and chorales of the Lutheran Church. He remained a devout Christian all his life. These works also share heavy brass chorale passages alternating with frequently lovely lyrical sections, the use of counterpoint, modal melodies, and orchestration which features the winds.

Composed in 1943, the Symphony No. 4, "Requiem" commemorates the death of Hanson's father. This is a mostly somber four movement work of about 25 minutes, with the movement titles and musical characteristics derived from the Requiem Mass. The work alternates motions of turbulence and tragedy with sections of peace and contemplation. It opens with the former and ends with the latter, as the music struggles to accept the death of a loved one. The work features brass chorales, simple reflective themes, and a quiet accepting close. This work received the first Pulitzer Prize awarded for a musical composition. The recording dates from 1990.

Hanson's Symphony No. 5,"Sinfonia sacra", Op. 43, is in a single taut movement of 15 minutes, reminding me of Sibelius' seventh symphony. This symphony as well has a broad religious theme of the motion from death and sorrow to life. The music opens somberly and slowly in the lower register of the orchestra. The opening is followed by an alternation of chorale and dance like passages and includes the use of chants and a lovely short solo for the English horn. The work concludes with a loud peroration followed by a hushed ending. Premiered in 1955 by Eugene Ormandy and the Philadelphia Orchestra and recorded here in 1992, this symphony rewards hearing.

In 1956, Hanson composed an "Elegy in Memory of Serge Koussevitzky", the conductor of the Boston Symphony Orchestra and a close friend, who had died five years earlier. This piece of about 12 minutes is a melancholy, religiously influenced meditation on death. Again in this music tragic, chorale sections alternate with simpler, gentler passages. The oboe, clarinet, flute, and harp receive prominent solo passages. The Boston Symphony premiered the work. Schwarz and the Seattle Symphony recorded in in 1988.

The final work on this CD is the "Dies Natalis", composed in 1967 to commemorate the 100th anniversary of Hanson's beloved Nebraska. This is a work of 16 minutes which opens and concludes with an extended ceremonial chorale theme with seven short variations in between. The theme is modelled on the Lutheran chorales which so impressed the composer during his youth. The variations on the theme are brief but diverse in character ranging from calm and quiet to stormy. The centerpiece of the variations, no. 4, marked "Andante calmo, nel modo Gregoriano", features a Gregorian chant performed by a solo oboe. The recording dates from 1994.

Listeners who want to get to know American music will enjoy this CD. I particularly liked the symphony no. 5 and the "Dies Natalis". The liner notes on each work are musically good and informative.

Total Time: 69:44

Robin Friedman
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