Hanover Street [DVD] [2002]

 

 

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This is a very powerful and moving story about two brave airman who both unknown to each other share the same love of their life. All in all this is an excellent film, which really captures the feel of war torn britain and brief relationships that ensued through very difficult circumstances. Thoroughly recommended viewing, especially if you like a dramatic plot and convincing actors.

One of the delights of DVD - even more than video - is that its insatiable desire for fresh product sees the resurrection of swathes of unloved would-be blockbusters that no self-respecting cinematheque would ever include in any retrospective and which would otherwise be left to rot in time-compressed panned-and-scanned graveyard slots on network TV just before the infomercials start. These aren't the forgotten or under-appreciated masterpieces awaiting rediscovery, but rather the misjudged, the misbegotten or the just plain mistimed, films before or after their time that never found their audience and, until the advent of DVD, would never have been given the chance.

Hanover Street fits into all those categories at once. Intended both as a throwback to 1940s tearjerkers and an epic Summer event movie that would launch Harrison Ford to stardom (something that would still be another two years and a bullwhip away), it proved a major box-office failure and a source of much critical derision - not quite the Battlefield: Earth of its day, but close. It's easy to understand why, but, dammit, it is fun. Maybe not always in the ways its makers intended, but fun nonetheless.

Ford is the bomber pilot with nerves of steel and no fear of death or heavy anti-aircraft fire - or at least until he falls in love with nice English girl Lesley Anne Down and starts to scrub missions because the engine never sounds quite right as he finds something to live for. To prove to himself and the various whisperers at the airbase that he's still got what it takes, he volunteers himself and his crew (including John Ratzenberger who, pre-Cheers, must have starred in almost every single US movie made in the UK from Star Wars to The B**ch) for a top secret mission over occupied territory. Naturally, it goes wrong and he finds himself behind enemy lines in Nazi-occupied territory with a British secret agent (Christopher Plummer) out to prove his courage and show himself worthy of his wife's love by stealing vital documents from the local Gestapo headquarters. Yes, you know exactly what's coming next, but that's part of the fun of this unashamedly romantic throwback to World War Two morale-boosters: the Germans are dastardly, the Brits quietly heroic, the Yanks brash but decent sorts underneath it all, the French resistance irresistible and all the clichés are played straight as if freshly minted.

Ford and Down were last-minute replacements when Kris Kristofferson and Genevieve Bujold dropped out of the picture. At the time, Ford admitted that he only took the role (his first lead) because he had never kissed a woman onscreen, which is as good an excuse as any. In the process he started a career trend of romantic flops and underachievers (Regarding Henry, Random Hearts, Sabrina, Six Days, Seven Nights), but hokey as this is - and it definitely is - this is by far the most entertaining. There's no shortage of cringingly bad dialogue ("Think of me when you drink tea") while an infant Patsy Kensit's deeply annoying turn as Plummer and Down's sugar-sweet oh-so-perfect daughter makes Shirley Temple look like a chainsaw-wielding drug-crazed Christina Ricci and will have you cursing the poor aim of the Luftwaffe. Plummer's unutterably decent cuckolded husband also seems stuck in post-transformation Captain Von Trapp mode - you keep on expecting him to thank Down for bringing music back into his home. Yet much of the humour is intentional, Plummer has a great speech about always being the guy who gives his coat to the drowning man that someone else has rescued and, while it's not exactly hardcore gritty realism, in an age of CGI effects it's refreshing to see a film that literally rebuilds part of WW2 London (even if it does plant a non-existent tube station in Hanover Street) just to blow it all up and in which the bombers are still all real vintage aircraft rather than pixels. Now that it's firmly in the past as an old movie, what was anachronistic in 1979 almost has exactly the kind of charm it failed to weave on cinema audiences all those years ago. And hey, it's a lot more fun than Pearl Harbor.

Although on his audio commentary writer-director Peter Hyams acknowledges the influence of Joseph Heller's novel, Richard Masur's dialogue isn't so much inspired by Catch-22 as lifted from it verbatim. Still, since Mike Nichols didn't use much of it in his poe-faced movie version, and since Masur has such fun with it, you can forgive them the conceit. The film even shares the same cinematographer, David Watkin, though unfortunately it's from that period in late-seventies mainstream cinema when cinematography was both soft and dominated by Earth tones, so the film never looks quite as rich as it could, and this is reflected in the 2.35:1 transfer.

Sadly, Columbia have missed a trick by not including an isolated score track - a particular disappointment because John Barry has famously little regard for his lush and unashamedly romantic score and has always resisted moves to include a suite on any of his own compilations (a 5-minute suite conducted by Nic Raine is included on Silva Screen's The Classic John Barry). No trailer either.

I remember watching Hanover street years ago, before most people had ever heard of home computing, and loved it so much that I took a few years, once I'd got a computer, searching to see if I cold find it on DVD anywhere. I purchased my copy from Amazon about three years ago, the only place who can generally find any of the more obscure films and music that I look for, and Hanover Street is still a winner. At first I thought it was going to be really cheesy, but it becomes very gutsy towards the end when Harrison, as a WWII American bomber pilot, manages to complete a mission, with his lover's husband, behind enemy lines after they are both shot down. Gallant to the end Harrison never discloses that he has twigged on to who the other guy is, who tells Harrison that he has taken on the mission because he feels his wife doesn't love him any more and is trying to impress her by becoming a hero. Harrison never tells him about himself and his wife. The film is softly romatic, tear-jerking, evenly action-packed and satisfyingly funny in places. Harrison and Lesley-Anne Downe fantasticly act out the desperation of love during a world war, as only they, as brilliant actors, can. This film is a treasure to keep for the archives.

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5.0 out of 5 stars Last scene with Harrison lighting up as London and the John Barry score is in backdrop is...masterful
It's the last scene in the movie. Harrison Ford walks in. The love affair is over. Hanover Street is before him. It's busy. It's Grey. It's the 1940s and the Blitz. Read more

Published 6 months ago by championcat

5.0 out of 5 stars Hanover Street DVD (1975)

The fine music score of John Barry certainly gives a Romantic WW2 setting/feeling of nostalgia of the time. Read more

Published 16 months ago by A. Cooke

5.0 out of 5 stars good film
bought this dvd after hearing that it was a good film and it was really enjoyable would recomend

Published 23 months ago by Mrs. Elizabeth Hall

5.0 out of 5 stars Hanover Street DVD
I am very pleased with this DVD and wouldn't hesitate to order again from Amazon, it came so quickly and I was advised when it was being despatched.

Published on 5 Nov 2009 by Mrs. V. Foster

5.0 out of 5 stars comments
I was very pleased with the speed in which the goods arrived, their condition and would have no problems recommending the seller to others.

Published on 18 Jun 2009 by Ms. S. Kibblewhite

4.0 out of 5 stars Hanover Street
very romantic story set in 1943 2 people meet by accident and for a while have a love affir, one for a girlie night in with a bottle of wine dont forget your kleenex (you know... Read more

Published on 9 Jan 2005

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