Amazon.co.uk Review
Yes, he's back, and he's still hungry. Ten years after
The Silence of the Lambs, Dr. Hannibal "the Cannibal" Lecter (
Anthony Hopkins, reprising his Oscar-winning role) is living the good life in Italy, studying art and sipping espresso. FBI agent Clarice Starling (
Julianne Moore, replacing Jodie Foster), on the other hand, hasn't had it so good--an outsider from the start, she's now a quiet, moody loner who doesn't play bureaucratic games and suffers for it. A botched drug raid results in her demotion--and a request from Lecter's only living victim, Mason Verger (Gary Oldman, uncredited), for a little Q and A. Little does Clarice realize that the hideously deformed Verger--who, upon suggestion from Dr. Lecter, peeled off his own face--is using her as bait to lure Dr. Lecter out of hiding, quite certain he'll capture the good doctor.
Taking the basic plot contraptions from Thomas Harris's baroque novel, Hannibal is so stylistically different from its predecessor that it forces you to take it on its own terms. Director Ridley Scott gives the film a sleek, almost European look that lets you know that, unlike the first film (which was about the quintessentially American Clarice), this movie is all Hannibal. Does it work? Yes--but only up to a point. Scott adeptly sets up an atmosphere of foreboding, but it's all buildup for anticlimax, as Verger's plot for abducting Hannibal (and feeding him to man-eating wild boars) doesn't really deliver the requisite visceral thrills, and the much-ballyhooed climatic dinner sequence between Clarice, Dr. Lecter, and a third unlucky guest wobbles between parody and horror. Hopkins and Moore are both first-rate, but the film contrives to keep them as far apart as possible, when what made Silence so amazing was their interaction. When they do connect it's quite thrilling, but it's unfortunately too little too late. --Mark Englehart
Synopsis
After a decade in abeyance, the courtly cannibal, Hannibal Lecter, returns to the screen, again played by Anthony Hopkins, under the direction of Ridley Scott. When F.B.I. Agent Clarice Starling (Julianne Moore) is blamed for a botched drug bust, her boss Paul Krendler (Ray Liotta) makes a media circus of her humiliation, which catches the attention of Lecter. Now a hardened veteran, she begins receiving letters from the twisted genius, who remains obsessed with her. Yet she's not the only one interested in drawing out the psychopath, now lecturing on the Renaissance in Florence. Italian detective Pazzi (Giancarlo Giannini) hopes to impress his young wife by nailing the reward for his capture, and wealthy pedophile Mason Verger (Gary Oldman) is eager to take revenge against the cannibal for leaving him with a hideously deformed face. But they're no match for Hannibal's coyly satanic ubiquity, which bewilders his quickly narcotized foes before he administers a punishment sufficiently grotesque to suit his sense of amusement.The odious Krendler, in particular, learns to use his gray matter for, perhaps, the first time in his life. However, all is prologue to his fated rendezvous with Clarice. A banquet for the splatterati, reveling as it does in gore and dismemberment, the film features brilliant work by a stellar cast, and the kind of meticulous art direction and lushly magnificent photography that one has come to expect of Scott.