I've heard several Handel operas under McGegan (both live and on disc) and this may well be my favorite. It has all the elements of McGegan's style - elegance, quickish tempos, perfect rapport with the singers, and more - the performance actually highlights the element of humor in the opera's libretto. Serse may not be a comedy in the modern sense of the word (the term "melodrama" would fit better), but it is nevertheless quite different stylistically from Handel's earlier "heroic" operas. Serse is styled as a mixture of recitative and arioso, with the dramatic action spilling over from the recitatives into many of the ariosos and arias - this was an unusual feature by opera seria standards: in opera seria, arias were usually employed to express emotion rather than action. Most arias in Serse are also shorter than in opera seria (often without da capo). The characters in Serse are usually a mixture of farce and tragedy, with only one wholly buffonic figure - Elviro. What is truly ironic about Serse is that it was unsuccessful in Handel's times, but now, of course, it is one of the best known and best loved Handel operas. The singers here are almost uniformly wonderful. I may have preferred Serse sung by a countertenor but Judith Malafronte offers a convincing account of the role. Her singing is not entirely free from vibrato but it is never out of control. David Thomas shows an amazing vocal versatility as Elviro - his character is hilarious! Lisa Milne and Dean Ely are both good as Atalanta and Ariodate, respectively. Susan Bickley as Amastre offers a delightfully focused, bright tone, quite unlike the wooly sound you might expect from a mezzo-soprano. Her "Or che siete speranze tradite" is superb. Brian Asawa as Arsamene is an absolute winner: his mezzo-soprano voice is astonishingly beautiful (without a trace of artifice) and his embellishments are the most imaginative of the whole cast. His "Amor, tiranno Amor" is a gem by any standards! The only bad news is Jennifer Smith - once a marvelous singer, she appears to be past her prime. I found her pinched singing to be difficult to enjoy. But don't let that stop you from buying this otherwise remarkable recording.