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Handel: Organ Concertos Op.7 (Academy of Ancient Music/Egarr) [Hybrid SACD]

Richard Egarr , Academy of Ancient Music , George Frederick Handel Audio CD
5.0 out of 5 stars  See all reviews (1 customer review)
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Handel: Organ Concertos Op.7 (Academy of Ancient Music/Egarr) + Handel - Organ Concertos Op 4
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Product details

  • Orchestra: Academy of Ancient Music
  • Conductor: Richard Egarr
  • Composer: George Frederick Handel
  • Audio CD (24 Aug 2009)
  • Number of Discs: 2
  • Format: Hybrid SACD
  • Label: Harmonia Mundi
  • ASIN: B002AHJSX6
  • Other Editions: MP3 Download
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Bestsellers Rank: 113,577 in Music (See Top 100 in Music)

1. B Flat, HWV306 Op. 7/1
2. A, HWV307 Op. 7/2
3. B Flat, HWV308 Op. 7/3
4. D Minor, HWV309 Op. 7/4
5. G Minor, HWV310 Op. 7/5
6. B Flat, HWV311 Op. 7/6

Product Description

BBC Review

Händel’s Opus 7 organ concertos, published posthumously, stretch across the final two decades of his life. They represent a concentrated view of his style at the height of his compositional powers, writing for the instrument he played to a virtuosic level. Richard Egarr’s new two-CD recording does Handel proud, both in the thought applied to the actual notes on the page, and to how they would have been articulated in performance.

Egarr has mostly kept to the original editions published by Walsh in 1761. However, he has made some intriguing little scholastic touches, the most significant of which is to the sixth concerto. This started life as a sinfonia for organ and orchestra, followed by two further airs for organ. Walsh published it with the second air, for which he wrote a clumsy accompaniment. Egarr has paired the score down again to the bare minimum and recorded both airs. He believes that this is the first time the Air lentement has seen the light of day, either in recorded form or in a concert hall. Then, the organ improvisations are real-time, spontaneous creations, based on contemporary descriptions of improvised organ voluntaries that describe extraordinary sound sculptures of chords built up on top of each other. They’re both counter-intuitive and extremely affective.

Such a lot of scholarly thought can sometimes translate into a dully scholastic performance, but not here. The programme opens with punch, then zips along with fun-filled panache. Egarr on the organ delivers the light-fingered virtuosity the writing demands, whilst the orchestra fizzes and springs. There’s triumph, tension, sharply delineated dynamics, dancing humour, bright tone and clear textures. Every note and instrumental timbre shines out. There are added treats after the Op.7 concertos: a couple of Chaconnes, a Fugue and, most engagingly, the “Cuckoo and the Nightingale” concerto which is played with all the joys of spring and the cuckoo’s cheeky insouciance.

This is an intensely enjoyable listening experience, made all the better for the knowledge that it may be pretty close to what Handel intended. As much as one can ever know, anyway. --Charlotte Gardner

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Review

The incisive elegance of Egarr's performances is tinged with a sensuous musicality that brings oodles of fresh thought of these Handelian jewels, while artfully safeguarding their integrity. --Kenneth Walton, The Scotsman, 10 August 2009

Soloist Richard Egarr gleefully bites into the gamiest and most raucous registrations, contrasting what sounds like a supernaturally possessed carousel organ with the Academy of Ancient Music's searing strings, plump bassoons and sensual oboes. There are ground basses and drones to relish, quotes from the Great Suites and movements of sombre beauty. The ultimate raspberry to anyone who says baroque music is predictable. --Anna Picard, Independent on Sunday, 6th Sept. 2009

Customer Reviews

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Most Helpful Customer Reviews
9 of 10 people found the following review helpful
5.0 out of 5 stars Bright, smiling morn 25 Oct 2009
Format:Audio CD
If you like your organ music to be 'churchy-ponderous', you may decide to look elsewhere, because one natural reaction to this playing is to break out into a wide grin. For the rest of us, this is a delightful breath of fresh air. I caught a few seconds of this recording in traffic, went back to the radio station's website (after parking the car, of course) ... and next stop Amazon.

Not only is the playing light and cheerful - AAM and Eggar on top form - but the ambience of the recording is as bright and breezy as an after-the-shower autumn morning (see cover illustration). The unfussy style makes it easy to revisit - no straining and waiting for the tricksy passages here - but the essential joie de vivre ensures that the music never lapses into backgroundish baroque-by-the-metre.
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Amazon.com: 4.2 out of 5 stars  4 reviews
12 of 13 people found the following review helpful
5.0 out of 5 stars The AAM and Egarr Does it Again! 18 Nov 2009
By Ray - Published on Amazon.com
Format:Audio CD|Amazon Verified Purchase
This recording on the opus 7 organ concertos by Handel is another wonderful addition to the "Handel-opus-number" series recordings recently produced by the Academy of Ancient Music under the direction of Richard Egarr. If you enjoy Baroque music, or if you are a Handel aficionado, there is little doubt that you will enjoy this recording as much as I do.

Handel was a prodigious composer, but he focused much of his time on the development of oratorios and operas. As everyone knows, Handel's genius shines forth in many of those works, and to know them is a real joy. But Handel was also a master of orchestral music: these works are so amazing that we often find ourselves wishing that he had spent just a little bit more time focusing on this genre. The Concerto Grossi opus 6, for example, is just one example of what Handel could do when he decided to compose for the orchestra. His opus 3 Concerto Grossi are another example, as are also his Concerto a Due Cori pieces. And here, his wonderful organ concertos help round out the set.

The Academy of Ancient Music, now under the direction of Richard Egarr, recently completed a new recording cycle that covers all Handel's opus 1 through 7 orchestral works, and this recording, the opus 7 Organ Concertos, shine as brightly as the rest of this highly acclaimed recording cycle. The decision to record this series was a welcome one, for there has been far too little current Handelian recording efforts these days (much of the Handelian recording cycles were accomplished to well deserved critical acclaim back in the 1980's in Gardener's, Pinnock's, and Hogwood's cycles, amongst others), and this fact helps us accept the relatively high cost of these new AAM disks. Yes, the cost can be high, but if this is what it takes to support a new generation of players recording Handel with the latest in electronic recording technology, it is certainly well worth it. This recording is superlative in every sense, and if one listens with a keen ear towards recognizing the recording itself, it can be seen what advances have been made in recording technology over the years.

You say that you're not an organ fan? Well, I've not been one, either, but this set may make you change your mind. These pieces are gorgeous, witty, dramatic, and sometimes, even humorous. You find yourself, as often we do with Handel, drawn into a world of musical beauty, and the experience can be simply amazing. These pieces show what Handel could do with an orchestra and with the organ, as well. (Since Handel himself was an expert organist, one of the best in all of Europe at the time, we can only imagine the fun - and that's the world for it, to be sure - Handel himself must have enjoyed when he played these pieces himself, which he almost certainly did.

As most every recording in this AAM series of Handel's orchestral works, this entry easily rates as five stars for the performance, and five stars for the recording. It's a wonderful and masterful addition to the library of Handel recordings. It's worth every pence.

Other Disks in the AAM's Handel-Opus-Number Series:
Handel: 12 Solo Sonatas, Op. 1Aca
Handel: Concerti Grossi, Op. 3; Sonata a 5
Handel: Organ Concertos, Op. 4 [Hybrid SACD]
Trio Sonatas Opp. 2 & 5
Handel - Concerti grossi, op. 6 / AAM · Manze
1 of 1 people found the following review helpful
5.0 out of 5 stars Exciting and engaging performances. 27 Oct 2011
By Dean Wette - Published on Amazon.com
Format:Audio CD|Amazon Verified Purchase
My trusty old Harnoncourt recordings on Telefunken sound simply lethargic after listening to this outstanding performance (and my vinyl playback is of far better quality than my CD playback). Even haters of organ music should love this.
5.0 out of 5 stars Deeply moving 19 Oct 2012
By Beth Szilagyi - Published on Amazon.com
Format:Audio CD|Amazon Verified Purchase
I know and love Handel's compositions, and I have a few organ pieces in my collection, but this album of pure organ music by Handel translated into hours of listening pleasure. There are a couple of music lovers on my Chritmas list who are going to get a copy!
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