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Handel: Messiah (Dublin Version, 1742)
 
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Handel: Messiah (Dublin Version, 1742) [Hybrid SACD]

Dunedin Consort Audio CD
4.4 out of 5 stars  See all reviews (11 customer reviews)
Price: £11.97 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
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Handel: Messiah (Dublin Version, 1742) + Bach - St Matthew Passion + Bach: Mass In B Minor
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Product details

  • Performer: Susan Hamilton, Annie Gill, Clare Wilkinson, Nicholas Mulroy, Matthew Brook
  • Orchestra: Dunedin Consort & Players
  • Conductor: John Butt
  • Composer: George Frideric Handel
  • Audio CD (22 Nov 2010)
  • SPARS Code: DDD
  • Number of Discs: 2
  • Format: Hybrid SACD
  • Label: Linn Records
  • ASIN: B000K2Q7PK
  • Other Editions: MP3 Download
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (11 customer reviews)
  • Amazon Bestsellers Rank: 42,213 in Music (See Top 100 in Music)

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Customer Reviews

11 Reviews
5 star:
 (7)
4 star:
 (2)
3 star:
 (1)
2 star:
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Average Customer Review
4.4 out of 5 stars (11 customer reviews)
 
 
 
 
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19 of 19 people found the following review helpful:
5.0 out of 5 stars Outstanding, 4 Nov 2006
By 
Teemacs (Switzerland) - See all my reviews
(TOP 1000 REVIEWER)   
This review is from: Handel: Messiah (Dublin Version, 1742) (Audio CD)
An excellent version, nicely sung and recorded, with excellent performances of all the "big" numbers - brisk, but never breathless. The soloists (no big names) are uniformly good.

Only one (personal) reservation - I'm very partial to the spine-chilling counter-tenor version of "For He is like a refiner's fire", done best of all by Paul Esswood for Charles Mackerras. As this recording seeks to provide the first Dublin performance, we get the less virtuosic bass version of that version. But that's my only quibble. Highly recommended.
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30 of 32 people found the following review helpful:
5.0 out of 5 stars Top of the pile!, 22 Feb 2007
This review is from: Handel: Messiah (Dublin Version, 1742) (Audio CD)
Having listened to many of the various versions of Messiah, and previously having had The English Concert/Pinnock (Archiv) as my top choice, this new release from the Dunedin Consort has now surpassed that. Sure, it's sometimes tricky to compare recordings of different performing versions of the Messiah (of which there are many) but this recording of the 1742 Dublin version, whilst it might have been originally adapted by Handel to cater for soloists of perhaps a lesser quality than he could lay his hands on elsewhere, is by no means a 'poorer' version for that, certainly if this recording is anything to go by.

Where this recording really excels is the superb diction of both choir and the soloists drawn from within. Maybe easier to achieve with smaller forces than on most other recordings but the diction is supreme nonetheless. Clare Wilkinson's 'He Was Despised' comes up in quite the most heart rending and tragic rendition I have ever heard (which is how it should be) and is for me, the premier highlight amongst many. The overall oratorio is presented with such charm and the sense that Charles Jennens' collection of Scriptures is narrated as an entire story from start to finish.

The playing of the Dunedin Players is superb and the balance between choir and instrumentalists in the Hallelujah Chorus in particular is supreme and produces a rendition most joyful, (aided by the wonderfully punchy trumpets and timpani) far removed from the Victoriana pomposity of a number of older versions and the numerous 'Come Along and Sing' Hallelujahs (and Messiahs in general) frequently put on each year.

Quite the most sublime and joyful recorded version of Messiah I've ever heard. The Dunedin Consort and Players (not to mention John Butt!) should be proud.
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16 of 17 people found the following review helpful:
5.0 out of 5 stars Rejoice, 27 Dec 2006
By 
Roger T. Cutler (Houston, TX) - See all my reviews
(REAL NAME)   
This review is from: Handel: Messiah (Dublin Version, 1742) (Audio CD)
I just thought I'd point out that this performance uses the 6-8 version of Rejoice. I've looked at that in the score but I've never heard it performed. I found it utterly charming.

Overall, having performed Messiah more times than I care to count, this performance is an enjoyable, new look at the work. At least, new to me.
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