This is really an excellent recording of one of Handel's lesser known later operas (composed just before Serse). Spoiled by a much cut libretto which leaves little of sense in the story, this piece is nevertheless filled with terrific music for all concerned. There is scarcely a dull number in the whole opera but one of my very favourites is 'Se ben mi lusingha' for the title character which ends Act 1 (even if the lovely 'trotting' melody rather belies the sentiment of the words).
I was very pleased with the playing of I Barrochisti for Diego Fasolis (a new name to me in Handel recordings). A uniformly excellent cast has been assembled. Max Cencic sings the title role with astonishing power and grace - the final aria is a real tour de force! I was also very impressed with Xavier Sabata as his rival Gernando. The third countertenor is probably the best known - Philippe Jaroussky - who brings another distinct sound, lighter and higher. There is a decent bass for the villain in In-Sung Sim. The two women are also very good; Sophie Karthauser bringing both agility and considerable power to the role of Clotilde and Marina de Liso, another addition to the range of current mezzo sopranos with truly beautiful and yet dramatic voices, as Faramondo's beloved Rosimonda.
Overall this recording must now be the top recommendation over the only other version available on Vox. To be fair, that is one of the American label's most successful Handel recordings and has some good performances from the often variable D'Anna Fortunato and the lovely Jennifer Lane but the new recording under Fasolis is more consistently pleasing. Highly recommended.