The first item on this CD is sheer delight. Massis sings as if her voice is a little ball in her hands. The opening aria is energetic, perhaps a little too fast to the new listener's ear, but a show piece otherwise. Then follow two angelic slow movements (absolutely beautiful!) and the final breathtakingly fast "Alleluia" (why do the "Alleluia's" allways have to be so fast?) sung, once again, flawless. The "Laudate Pueri" is qiute an interesting piece of music, in that the soprano soloist, in the choir sections, sings with the sopranos. This has the effect that the high voices of the choir may sound as if they sing with a vibrato (which is illustrated by the other review, where the reviewer incorrectly experienced the choir as singing with a vibrato). Magdalena Kozena has a wonderfully deep voice, reminding one of dark chocolate. It is also amazing how she controls her voice in the handelian scales, showing that she has more than mastered her technique. The "Salve Regina" is a short, slow piece, without any fast sections, but extremely expressive at times (notably "Ad te clamamus"). Here, Kozena shows that she is not only able to sing fast passages, but also slow, yet powerful and expressive melodic lines. Personally, the "Dixit Dominus" was a little disappointing: in two words too fast, from beginning to end - definately not the best recording I have yet heard. Throughout the CD, but more apparent in this piece, one witnesses one of the greater disadvantages of live recordings: there is a sense of "nervous energy" noticable in the choir, resulting in not-so-flawless singing, with "muddy" sounds here and there. On the whole, though, a CD any Handel lover should have. What makes it especially delightful, is the fact that Minkowski uses a lute instead of the usual harpsichord, giving the whole performance a crisp sound. I would only like to know what happened in the middle of "Suscitans a terra inopem", where there is a clearly audible break in the music - the French are otherwise known for there technical excellence, aren't they? George de Bruin