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But rather than let this marginal existence get him down, Auster fuels his writing with the folks he meets along the way. For instance, Casey and Teddy, a hilarious vaudevillian duo whom he encounters while groundskeeper at the Commodore Hotel, bear a striking resemblance to the two main characters in Auster's early play, Laurel and Hardy Go to Heaven (included in Appendix 1). And no memoir would be complete without a few brushes with the rich and famous; enter Jerzy Kosinski (Auster edited Cockpit), as well as brief encounters with John Lennon and the home of Mark Rothko.
Of all the schemes Auster cooks up to stay afloat, none is more doomed (nor more endearing) than Action Baseball (Appendix 2), a card game he invents and endeavours to sell to various toy companies. Of course, his final scheme--to write and publish a detective novel (Appendix 3)--is the reason you're reading this now. --Martha Silano
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