Start your 30-day free trial

Hammett (1982) has been added to your Basket
+ £1.26 UK delivery
Used: Like New | Details
Sold by DaaVeeDee-uk
Condition: Used: Like New
Comment: Brand new official Germany DVD edition of this film. This is a PAL/Region 2 DVD. AUDIO: German ( Dolby Digital 2.0 ),English ( Dolby Digital Stereo ), SUBTITLES: German, Anamorphic Widescreen (1.85:1) SPECIAL FEATURES: Scene Access, Interactive Menu, Anamorphic Widescreen, **** Please click on 'Seller: DAAVEEDEE-UK' above to get to our great selection of rare foreign, arthouse, weird, cult and award winning movies on DVDs!
Have one to sell? Sell on Amazon

Image Unavailable

Image not available for
  • Hammett (1982)
  • Sorry, this item is not available in
  • Image not available

Hammett (1982)

Price: £18.69 & FREE Delivery in the UK. Details
Only 1 left in stock.
Sold by DaaVeeDee-uk and Fulfilled by Amazon. Gift-wrap available.
2 new from £14.99 1 used from £14.99


Rent Hammett on DVD from LOVEFiLM By Post

Special Offers and Product Promotions

Frequently Bought Together

Hammett (1982) + One From The Heart [DVD] [1982]
Price For Both: £28.69

Buy the selected items together

What Other Items Do Customers Buy After Viewing This Item?

Product details

  • Actors: Frederic Forrest, Peter Boyle, Marilu Henner, Roy Kinnear, Richard Bradford
  • Directors: Wim Wenders
  • Producers: Hammett (1982)
  • Format: Import, PAL, Widescreen
  • Subtitles: German
  • Region: Region 2 (This DVD may not be viewable outside Europe. Read more about DVD formats.)
  • Number of discs: 1
  • Classification: 15
  • Run Time: 94.00 minutes
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (4 customer reviews)
  • ASIN: B006Z2U5RA


Germany released, PAL/Region 2 DVD: LANGUAGES: English ( Dolby Digital Stereo ), German ( Dolby Digital 2.0 ), German ( Subtitles ), ANAMORPHIC WIDESCREEN (1.85:1), SPECIAL FEATURES: Anamorphic Widescreen, Interactive Menu, Scene Access, SYNOPSIS: Wim Wenders' film version of Joe Gores' novel, a conflation of elements of the writer's life with episodes from his work, is a fascinatingly stylized artifact which will likely be of more interest to the director's fans than Hammett's. More a meditation on the detective genre than an actual detective film, it bends Gores' novel to the deliberate pacing and meandering plotting of Wenders' characteristic theme of perennial wanderjahre. The casting of an actor with a persona as vulnerable as Frederic Forrest to play the laconic, hard-nosed Hammett of reality is just one of many unusual choices that take one into the realm of cult film and Marilu Henner, Forrest's wife of the time, also seems out of place here. But the rest of the cast, which includes veterans of Hollywood's golden age like Sylvia Sidney, Elisha Cook Jr., and Royal Dano, acquit themselves well. Philip Lathrop, a specialist in noir and crime films, and the 79-year-old Joseph Biroc, whose last feature this was, combine their talents in the film's stunningly dream-like visual texture.
SCREENED/AWARDED AT: Cannes Film Festival, ...Hammett (1982)

Customer Reviews

5.0 out of 5 stars
5 star
4 star
3 star
2 star
1 star
See all 4 customer reviews
Share your thoughts with other customers

Most Helpful Customer Reviews

25 of 26 people found the following review helpful By Trevor Willsmer HALL OF FAMETOP 50 REVIEWER on 23 Nov. 2007
Format: DVD
It's tempting to see Hammett as a real life variation of The American Friend with Francis Ford Coppola as Dennis Hopper's Ripley and Wim Wenders as Bruno Ganz's picture framer who gets conned into becoming a hitman. Part of Francis Ford Coppola's ill-fated attempt to recreate the old studio system with a stock company of players and his own studio, Zoetrope, that had a troubled history to match any of his own directorial efforts, the wunderkind lured Wenders to Hollywood with the promise of artistic freedom in an artist-friendly environment with Joe Gores' fictional novel about the revolutionary crime writer and former private eye Dashiell Hammett getting involved in a semi-fictional mystery involving the cops, the crooks and the big rich while writing Red Harvest as bait. Set in 1928 San Francisco, it presents the tubercular Hammett as a half-decent man in a 9/10ths dishonest world who's given up the detective racket for short stories for pulp magazines, drinking too much and coughing his lungs up all the way until his old mentor turns up to call in a favor that leads to a web of murder, corruption and blackmail, it's easy to see the attraction. Instead things went a little haywire...

When the film was in development in 1978, Wenders had originally wanted Sam Shepherd - not only was he gaunt enough to play Hammett and was a writer himself but, more importantly for the director, he could actually type, something most actors who tested for the film had real problems with. Instead, Coppola wanted Frederic Forrest, one of his stock company of actors at Zoetrope, to play the lead: it turned out to be an inspired choice, but was indicative of how far the film would veer from his original intentions.
Read more ›
Comment Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again
1 of 1 people found the following review helpful By footloosemusician on 22 Aug. 2014
Format: DVD
Dashiell Hammett, who wrote the Maltese Falcon, originally worked for Pinkertons detective agency. What if an old colleague were to track him down later, while he’s learning his writing craft concocting pulp fiction in San Francisco, and drag him into a new case? This film pays homage to so many noir films that you’ll miss half the allusions first time round, but it’s fun spotting them. There’s a lot more of Chinatown on screen than in the film of that name, but somehow it’s just a little surreal, and so is the plot, although in a good way (I think).
Watch out for Elisha Cook Jnr, who played the gunman sacrificed by the Fat Man in The Maltese Falcon, in a cameo role as a taxi driver just 41 years later. Roy Kinnear is a convincing Fat Man, and the bird itself makes an appearance as a lamp stand.
Comment Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again
2 of 2 people found the following review helpful By Hamster on 27 Sept. 2012
Format: DVD Verified Purchase
Its a great film, but beware the version i received was designed for the German market, although you can set it to English.
Comment Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again
Format: DVD Verified Purchase
Chinatown comes alive, along with the sleaze and the intrigue of the rich guys and their accomplices, versus the phlegmatic Hammett-great acting.
Comment Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again

Most Helpful Customer Reviews on (beta) 48 reviews
29 of 29 people found the following review helpful
Engaging Homage to Forties Murder Mysteries 11 Nov. 2005
By David Baldwin - Published on
Format: DVD Verified Purchase
It's a real shame that Francis Ford Coppola's Zoetrope studios went belly up. They may not have produced anything that would qualify as classic but "Hammett" is an example of the kind of care and quality in films that Zoetrope strove for. Zoetrope films are an example of the indie spirit with big budgets that ultimately bankrupted Coppola. The central storyline of "Hammett" about white slavery and blackmail in thirties San Francisco is intriguing. I won't say that this film is the equivalant of another homage to the Hammett-Chandler style, "Chinatown", but I wouldn't be remiss to say that both films would make a terrific double-bill. "Hammett" has style to burn with fantastic cinematography but the real star is art director Dean Tavoularis' jaw dropping art direction. It is a crime that Tavoularis wasn't nominated for an Oscar for his work here. Frederic Forrest is outstanding as the boozing but relentless Dashiell Hammett who'll get to the bottom of the film's labyrinthian mystery at the cost of life and limb. Great supporting cast that includes Peter Boyle, veterans R.G. Armstrong and Richard Bradford, and old pros Sylvia Sidney, Elisha Cook, and Hank Worden. David Lynch fans should note the presence of Jack Nance("Eraserhead"). Marilu Henner, on the other hand, won't make you forget her work as Elaine Nardo on TV's "Taxi".
19 of 19 people found the following review helpful
Film Noir from American Zoetrope... 3 Jan. 2004
By Albert M. Bozzo - Published on
Verified Purchase
Excellent story line and acting. Forrest is a very credible Hammett. The seemless, innovative scene transitions are worth the price of the tape all by themselves! This title needs to be on DVD!!!
16 of 16 people found the following review helpful
One of the hundred best films ever made. 30 May 2008
By Robert Beveridge - Published on
Format: DVD
Hammett (Wim Wenders, 1982)

Wim Wenders directs Frederic Forrest in a fictionalized biopic about Dashiell Hammett. What can possibly go wrong? Add in a number of other character actors equally as good as Forrest (including Elisha Cook, Jr.-- yeah, the guy who was in The Maltese Falcon as the gunsel) and a script by the late Ross Thomas, who wrote a pretty mean crime novel himself, and you're pretty much destined for cinema gold. Needless to say, the public ignored it-- the film grossed a total of forty-two thousand dollars in the theaters. In the intervening twenty-six years, the film has been criminally neglected, held up as a paragon of cinema virtue by a handful (at best) of fanatics, including myself and megacritic Jonathan Rosenbaum (who considers Hammett Wenders' most underrated film; I'd have to say that's kind of a gimme), who are, in this case at least, profoundly ignored. Well, it's time that that stops, and Hammett is brought back to the place where it belongs, as one of the best films ever made.

No one except Wim Wenders, Francis Ford Coppola, and (one assumes) a few selected folks at Zoetrope has ever actually seen Hammett. Once Zoetrope got a copy of it, they recut the film (Wenders is on record as saying the released version is very little like the film he actually shot) to Coppola's standards. That's what got released, and that's what we've all seen. Well, the eighteen or so of us who've seen it, anyway. And I have to say, with as much salt as necessary given that, say, the director's cut of Apocalypse Now is godawful compared to the original, that if Wenders is correct and Coppola basically destroyed the movie, then my god, what a masterpiece it must have been, because Coppola's cut is still just as much a spectacular screwball comedy/crime story now that I'm watching it in 2008 as it was when I first saw it in 1983 (on HBO, I think). I have a lot more film-watching experience thanks to the intervening fifteen years, and I'm relatively certain it's not just a case of nostalgia; this is a really, really great film that's just been profoundly ignored by, well, everyone. Frederic Forrest, who's long been one of America's finest character actors, plays Dashiell Hammett, who should put one in mind of Hammett's more famous characters. Peter Bole is his old pal Jimmy Ryan, who comes to him with a vague, and somewhat incomplete, tale of a missing Chinese prostitute, Crystal Ling (Lydia Lei), and asks Hammett to help him find her. We get the usual "I'm retired from detective work, blah blah blah" speech before the two head out, and quickly find that tracking down Crystal Ling will step on pretty much everyone's toes. Before long Hammett and Ryan get separated, and now it's personal, since Ryan seems to have disappeared, and Hammett is left with only the help of his gorgeous neighbor Kit (Marilu Henner), a schoolteacher who knows nothing at all about detective work, and an ex-yippie cabbie (Cook Jr.).

It would, of course, be an abomination to compare Wenders' Hammett to Huston's The Maltese Falcon, but indulge me as I draw the wrath of the film gods, for Wenders' movie has all the spit and crackle of Huston's, but without Huston's meddling with the characters (and the famously blown ending). The usually laconic Forrest hams it up in true wiseguy style, while Peter Boyle, whom I don't think I've ever seen play a tough guy before, absolutely owns his role. I could just keep on going down the list of impressive performances (David Patrick Kelly, Henner, Jack Nance, Lei, Cook Jr., Roy Kinnear, cameos from Samuel Fuller and Hank Worden, and oh so much more), or talk about Wenders' directorial style, which always shines through in a Wenders film, or the awesome script, or the many, many in-jokes to both Hammett's writing and the various film adaptations of it (and a final answer to the question of the double-meaning of "gunsel"), or any of the other things that make this movie an absolute delight to watch. But I won't, because I've already talked too much when you should be going out, right now, and renting the recent and long, long overdue DVD release of this brilliant, brilliant movie. **** ½
10 of 10 people found the following review helpful
A Find 16 Mar. 2007
By John D. Steyers - Published on
Format: DVD Verified Purchase
Despite my general taste for the private detective genre, this film had escaped my notice for a number of years. I was intrigued enough by its entry in Leonard Malten's ongoing book to rent it. I consider it a real find. I was very happy to rediscover it on DVD. It works on more than one level simultaneously. Most basically, it is a good "private eye" story in and of itself. Beyond that, its references to the genre in general, the period, and even the life and character of Dashiell Hammet himself, as well as the fact that it is not-quite-literal about any of the above, make for a very pleasing depth and richness of story texture which enhances the experience. The acting is very good across the board, particularly that of Peter Boyle as Hammett's mentor. As if all this weren't enough, Wenders's visual style is appropriate and very effective. There is an artificiality about the design, lighting and camera work which embodies to a great extent the pastiche element underlying the story. Many, if not most shots are consciously (I feel sure) made to resemble the cover art of early paperback editions of "private eye" fiction. This element enhances the pastiche and enriches the immediate experience as well as creating a nuanced world which refers interestingly to a specific time and place (San Francisco's Chinatown in the 1920's)without pretending to be strictly historical or naturalistic. This film is great entertainment.
11 of 11 people found the following review helpful
Great style 13 Feb. 2006
By S. Jones - Published on
Format: DVD
This 1980's attempt to recreate the world of film noir might be a little thin on story or substance, but worth its weight in style. Outstanding sets and atmosphere, along with well paced direction and smooth transition keep the film from getting too trite. It's no 'Murder My Sweet' or 'Double Indemnity' but well worth seeing anyway.
Were these reviews helpful? Let us know

Customer Discussions

This product's forum
Discussion Replies Latest Post
No discussions yet

Ask questions, Share opinions, Gain insight
Start a new discussion
First post:
Prompts for sign-in

Search Customer Discussions
Search all Amazon discussions

Look for similar items by category