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Surprisingly, this movie is not altogether that graphic. We rarely get to see the actual coup de grace of each killing (and in a couple of cases we don't even see the actual murder), and even the remains of the slain never exhibit much blood loss. Of course, Michael uses a variety of means (including his bare hands) to murder his victims here. I for one missed the guy's trademark knifings. He does get hold of a knife eventually, but, sadly, he doesn't get much of a chance to use it. As for Michael himself, it is easy to see that the man behind the mask is not the original "shape" Nick Castle. George P. Wilbur has a slightly different build, and he just doesn't have the malevolent presence Castle possessed. He is strong in the category of standing still and watching from the shadows, but he is a little awkward in his movements and often seems to be patterning them on those of King Kong.
This movie has some really nice touches to it, several that strongly call to mind pivotal scenes from the original. Another master stroke is the conclusion, which certainly surprised me when I first saw it. Far too often a trite ending can ruin one's impression of an otherwise good horror movie, but Halloween 4 offers evidence of how much a terrific ending can increase one's enjoyment of an already satisfying experience. By inserting a whole new chapter in the Michael Myers saga, Halloween 4 actually injected the series with newfound life (and blood); it certainly excited me as a fan, and that is something that most sequels of sequels simply do not do.
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