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“There is always room for more Agatha… These graphic adaptations dish up the quintessence of Christie. There are, in other words, lurid melodrama, plenty of weird and wonderful coincidences, lashings of period-perfect style and a thorough workout for the little grey cells.” Observer
“Agatha Christie is a classic of her genre. These are good stories. Now they can be accessed in different ways.” Times Educational Supplement
“Along with their brilliantly noirish covers, the books are intended to reinvigorate Christie’s murderous tales… Mixing their quintessentially English tales with a continental taste for comic books, the series will appeal to graphic novel fans who may not otherwise discover Agatha Christie’s most enduring stories.” Velocity Magazine
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Her popular creations Hercule Poirot and Ariadne Oliver get yet another airing here, as they investigate the drowning in an apple-bobbing tub of a thirteen-year-old girl at a children's Hallowe'en party, a girl who not long before had boasted that she had once witnessed a murder. Exploring the possibility that the girl were telling the truth, Poirot probes several local deaths and disappearances. Amongst vague and gossipy eldery characters, and unbelievably articulate and poetic adolescents, Poirot makes his way with waxed moustache and patent leather shoes to a solution to the mystery.
Agatha Christie repeats many of the tricks she tried in her earlier books. You will find echoes of children's nursery rhymes here and a crime that occurs in a familiar domestic setting. You'll also find an especially lyrical few pages in praise of gardens, mid-way through the novel. Agatha Christie, a garden enthusiast herself, never wrote anything better than these few pages.
So expect late vintage Christie here. You may not like the attempt at a nail-biting finish, but you can still respect the author's way of setting up a baffling mystery
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